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alv790

ene 2005 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

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Wish list8

  • Die Abenteuer des Prinzen Achmed (1926)
    Animated movies
    • 539 títulos
    • Público
    • Modificado el 27 abr 2025
  • Warner Baxter, Dorothy Burgess, and Edmund Lowe in In Old Arizona (1928)
    Westerns
    • 355 títulos
    • Público
    • Modificado el 10 ene 2025
  • Jeff Goldblum, Richard Attenborough, Laura Dern, Sam Neill, Ariana Richards, BD Wong, Joseph Mazzello, Martin Ferrero, and Bob Peck in Parque jurásico (1993)
    Jurassic Park movies
    • 6 títulos
    • Público
    • Modificado el 20 jul 2023
  • Christopher Lloyd in Un campamento en ninguna parte (1994)
    tween movies
    • 13 títulos
    • Público
    • Modificado el 29 jun 2023
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Reseñas128

Clasificación de alv790
Foundation

Foundation

7.6
  • 17 jun 2024
  • Bad writing

    The first thing you need to do if you have read the books is forget about them and try to experience the show as it's own thing... Although, is that really something that makes sense? If they want to tell a story that has little to do with Foundation, why not tell a original story?

    Anyway, while the original was cool because it showed how individuals were less important than the forces of history, this show is all about far-fetched action scenes where super-special chosen ones miraculously save the galaxy. The plot is really dumbed down. Things happen that don't make much sense, just whatever it's convenient for the plot.

    On the other hand, the stuff with the clone emperors (also stuff that has nothing to do with the books) was kind of cool.

    All in all, a good example of the current state of Hollywood. It's in the line of Marvel TV shows rather than a ideas-focused science fiction classic.
    Muerte En El Nilo

    Muerte En El Nilo

    6.3
  • 11 may 2024
  • Utterly disappointing as an adaptation

    What is it with Branagh and Poirot? Why does he feel the need to modernize Agatha Christie's work so? If he has no respect for the original, or no faith that it can succeed with modern audiences, why not adapt instead a modern novel? Because this adaptation is thoroughly fake.

    Poirot feels the need to be running around after suspects and waving (even shooting) guns. Instead of grey cells, Branagh gives him plenty of emotions, a tragic love story, even a motivation for his moustache. He sure is not Poirot. And why? Just adapt a modern detective story, with their traumatized detectives.

    The strength to this story, apart from the clever trick the killer used and the setting, is in the characters. And what do we have? Instead of 1930s characters, we get a collection of 21st century identity politics talking points, lecturing about racism, sexism and lesbophobia. Seriously, if that's what you want, why not adapt a modern story instead of one written and set in the early 20th century? Are they unable to do a period piece now?

    The CGI-fest cinematography looks expensive but also fake. Not as fake as the previous Poirot movie by Branagh (Murder on the Orient Express), but still fake.

    All in all a missed opportunity. Watchable, but try to forget that it's supposed to be a Poirot story, and when it is supposed to be set.
    Asesinato en el expreso de Oriente

    Asesinato en el expreso de Oriente

    6.5
  • 16 sep 2023
  • Can't Hollywood do better than this nowadays?

    Kind of disappointing adaptation of a novel that has known better adaptations in the past. Why did Kenneth Branagh do this, when we already have such a superior Poirot in David Suchet? I suppose it's a way to give younger generations a way to approach Agatha Christie, but... what is it with Hollywood and period pieces? At times it reminded me of Robert Downey Jr's awful Sherlock Holmes movies. We get Poirot running after suspects, fighting, absurd chases, just for the sake of inserting action scenes where they don't belong... This is not what an Agatha Christie story is like. It's never credible or convincing as a period piece. No subtlety, no wit, just the usual Hollywood tics.

    The movie looks pretty, expect for the CGI, as excessive as unnecessary, which does not look real. It doesn't find a way to really profit from the large and talented cast. It's mostly Branagh's show. It would have done better with more real exterior shots and less blue screens.

    The investigation is perfunctory: a few quick conversations and Poirot has all the facts out of thin air. It's a difficult story to adapt as a movie, true, with the novel being a long series of suspect interviews that would not work on the screen. But still, it can be done better.

    I liked the ending, though, showcasing Poirot's moral dilemma in an emotional way.
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