celluloidrabbit

There's really no reason to expect that this easy-going military comedy should hold up so well after almost 50 years. While extremely popular as a Christmas release in '59, it then boasted two top box office stars to bring in the crowds, which most critics agreed were the primary attraction supporting some rather thin and predictable material. But the merits are considerably more than reviewers originally gave credit for, and the film endures as a cleverly crafted entertainment on several levels. Its uncomplicated premise accommodates humor less derived from incident than from character and situation, making it seem far less pretentious than most films of its kind. Service comedies of this period tend to follow a pattern set by MR. ROBERTS, which was based on a hugely successful stage play and quite reverent to those origins. PETTICOAT is far more spontaneous, so even if plot threads tend to be a bit familiar, its the delivery rather than the content which holds our attention. Of course it doesn't hurt to have Cary Grant at the peak of his powers, hitting all the right notes, balancing the role of naval officer with innate dedication combined with his own charismatic charm and seemingly effortless humor, a performance which is both naturalistic and funny. Curtis, too, had found his groove at this point (he had just completed his tour de force for Billy Wilder, SOME LIKE IT HOT) contributing just the right balance of ingenuousness and star-of-the-month savvy to make his `second banana' role a success. But the lion's share of the credit must go to Blake Edwards, then in the early stages of his most successful period as a master comedy craftsman, boisterous yet sophisticated, among the last of a breed of Hollywood stylists on the rise at a time when the old studio system was nearing its end.

Often cited as the team's worst film (which it's not!), this will likely fall in the `guilty pleasure' category for most fans. Vigorous juvenile slapstick merges with Freudian sci-fi in this late entry for the comedy duo (only a handful of movies remained on their Universal contract). Sci-fi elements are of the Saturday matinee variety, totally implausible and full of hokum (eg. CAT WOMEN OF THE MOON). Yet somehow, this provides the appropriate blend for A&C's `dumb and dumber' charades, in which camp elements become a part of the parody and the results are unbridled fantasy nonsense (populating the planet with Miss Universe contestants only adds to the fun). Universal would soon become a heavyweight contributer to the pulp sci-fi cycle of the 50's, yet surprisingly, this surreal spoof pre-dates them all! Thus far, this film has only been issued on VHS, the quality being overall quite good, in keeping with MCA's generally high standards for this format ... however a DVD would be most welcome.