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kullthevalusian

mar 2004 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

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Clasificación de kullthevalusian
Jaianto Robo: The Animation - Chikyuu ga Seishi Suru Hi

Jaianto Robo: The Animation - Chikyuu ga Seishi Suru Hi

7.8
  • 21 mar 2005
  • GREAT HOMAGE TO LATE 60s Japanese SHOWS

    It may have escaped other reviewers but ALL the characters of this show are take from other series.

    Giant Robo OF COURSE is JAIANTO ROBO, but also BIG FIRE himself is BABIL JUNIOR (residing in the ruins of the Babel Tower with his three guardians...the panther, Rokuros and Poseidon) and even Lord Alberto's psychic daughter...she's Sally the Witch from 'Maho Tsukai Sally' (a 'bewitched'-influenced jap cartoon show of the late 60s). Several of the Magnificen 10 were villains in a early animated show about an antediluvian teen awakening in the present and reactivating a giant mecha from the seabed (I just can't place the name of that series but I have seen it in my youth).

    All the references and homages of course work just for the Japanese and for the few (lucky?) countries which were flooded by the barrage of ALL the early Japanese cartoon series (I live in Italy and during the late 70s-early 80s we imported almost ALL of the anime which existed to that day...as a result the regular 30-ish male Italian has a passing knowledge of anime to rival that of a non-Japanese 'otaku'...limited to that peculiar period).

    Well that's it, search the web and find all of the in-jokes and special appearances that literally FILL the animated series.

    Last hint...director naka-joe's original character appeared of course in a boxing series but you have to take 25-30 years off his current appearance to find out 'where does he come from'.
    Caltiki il mostro immortale

    Caltiki il mostro immortale

    5.9
    6
  • 25 feb 2005
  • Ahhhhhh...those were the days!

    We Italians have made lots of things in our history but the funniest of them all were our cheap exploitation movies...when we took whatever genre was all the rage in the international arenas and took it to extremes: monster movies, violent westerns, tough cop movies, zombie horrors, 'giallo' horrors, cannibal movies, sexploitation flicks. I find almost all reviews listed here to be kind and to the point so I am writing this one merely to add a colorful detail that will delight you monster buffs out there. Have you ever wondered what 'caltiki' was made up of? Rubber? Latex? Plastic? Paper-mache? No...no...no! 'It came from a butcher's shop'-Caltiki was nothing else but TRIPPA! That is, entrails...which have a place of prominence in many a tasteful recipe of "poor man's" Italian cuisine. The legend says that after days of shooting under intense lights the results were less than pleasant to the olfactory sense. MOVIES...THE STUFF DREAMS ARE MADE OF...;-DDDDDDDDDDDDDDDDD
    A Time to Love and a Time to Die

    A Time to Love and a Time to Die

    7.6
  • 20 feb 2005
  • Germans were humans too.....

    ...in this time of generalizations and terminally low attention spans (not to say inexistent historical memory) people who have been the hollywoodesque cartoonish image of all 1930/40s Germans to be goose-stepping-order-barking-black-uniformed-ss-genocidal-murders could have their insight skills sharpened a bit more by this movie directed by Detlef Sierck (his real name). Actually lots of people in the 3rd Reich must have felt like Sierck himself, who obviously loved his fatherland but hated the Nazis and the way they tried to rape and pervert the very idea of the 'german nation' to their twisted ends...and those who were not lucky enough to expatriate like he did would have lived like the protagonists of this drama, suffering through an unwanted war having to witness both the cruelty of the regime AND the devastations from the war that the regime forced upon its people (the political prisoners forced to clear rubble from the air raids is a TELLING scene indeed!). The only thing that upset me a bit was the censorship forced on the filmmaker which in several scenes has to resort to silly 'visual tricks' to 'avoid' showing swastikas (a tube blocking our sight over the Military Police gorget in one of the first scenes, the queer angle at which a NSDAP member crosses our p.o.v. in the restaurant scene so we can't see the front of his armband)....now think a bit...if a catastrophe strikes and leaves this movie the ONLY proof of semi-historical value regarding WW2 the historians of the future will be oblivious of the centrepiece of nazi imagery...how STUPID is that???

    Down with censorship I say, either sexual, political, intellectual et al...
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