arabesuku
mar 2004 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas29
Clasificación de arabesuku
I'm Still Here, the feature film debut from director Kris Smith that draws on his experiences with terminal illness, is as poignant and punchy as they come. Matthew (portrayed by Dan Burman), a young man with his whole life ahead of him suddenly discovers that he has terminal cancer - thus begins a roller-coaster ride of pain and heartache, from reconciling with family to falling in love at the wrong time.
Burman's sterling no holds barred performance married with Smith's raw, almost documentary- like filmmaking (thanks also to the excellent cinematography by DOP Joshua Carver) give I'm Still Here its emotional core – since the film seems so natural it makes it all the more relatable, and that it makes the drama all the more heartbreaking (oh yes, you certainly will need tissues). In all the right places, Burman channels melancholy, wit and pure agony on his journey through all the stages of grief portrayed in the film that will certainly pull at your heartstrings.
His co-stars are equally as empathic, particularly Lucy Russell as Rebecca and Chris Szuca as Ben who deliver fresh, engaging performances. Whilst the focus of Matthew's attention is on his love interest Olivia (Rebecca Bailey), the more meaningful relationships are the ones he forms in his community; particularly in the case of fellow cancer sufferer Rebecca and the estranged married couple Ben and Sophie. Matthew's realization of his larger role in the world around him will certainly have audiences feeling warm, even if his kindness is shrouded in tragedy.
The film's somber score by Asche & Spencer, whose credits include Machine Gun Preacher and Monster's Ball, reinforces the moody tone well as Matthew struggles with day-to-day life, knowing his time is growing shorter by the minute.
I'm Still Here is a dose of fresh, no-holds-barred filmmaking that will break your heart in two with its powerful drama. Smith has made his cinematic mark, as his beautiful debut shows strong signs of great promise in his future – he's most certainly a director to watch.
Burman's sterling no holds barred performance married with Smith's raw, almost documentary- like filmmaking (thanks also to the excellent cinematography by DOP Joshua Carver) give I'm Still Here its emotional core – since the film seems so natural it makes it all the more relatable, and that it makes the drama all the more heartbreaking (oh yes, you certainly will need tissues). In all the right places, Burman channels melancholy, wit and pure agony on his journey through all the stages of grief portrayed in the film that will certainly pull at your heartstrings.
His co-stars are equally as empathic, particularly Lucy Russell as Rebecca and Chris Szuca as Ben who deliver fresh, engaging performances. Whilst the focus of Matthew's attention is on his love interest Olivia (Rebecca Bailey), the more meaningful relationships are the ones he forms in his community; particularly in the case of fellow cancer sufferer Rebecca and the estranged married couple Ben and Sophie. Matthew's realization of his larger role in the world around him will certainly have audiences feeling warm, even if his kindness is shrouded in tragedy.
The film's somber score by Asche & Spencer, whose credits include Machine Gun Preacher and Monster's Ball, reinforces the moody tone well as Matthew struggles with day-to-day life, knowing his time is growing shorter by the minute.
I'm Still Here is a dose of fresh, no-holds-barred filmmaking that will break your heart in two with its powerful drama. Smith has made his cinematic mark, as his beautiful debut shows strong signs of great promise in his future – he's most certainly a director to watch.
