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5November

feb 2004 se unió
Decades-long movie fan. Go to the movies a lot, have vast home collection, read a lot of books on movies, have trivia burned on my brain. Love to talk about the movies.
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos2

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Reseñas7

Clasificación de 5November
Aguílas del trapecio

Aguílas del trapecio

5.5
1
  • 23 ene 2007
  • Stop Clowning Around

    At 73 minutes this mishmash is way too long. Clumsily directed by old veteran George Sherman, the thrust here is an arrogant, spoiled aerialist who returns to the circus after a military hitch and causes havoc for everyone with whom he comes into contact. A silly, unconvincing story is not aided by patchwork performances from newcomers Michael Callan and Rian Garrick (although in their tights they may arouse some interest)and first-timer Evy Norland in her only film role. (She is married to actor/singer James Darren if that does anything for you.) Fifties' B-actress Joan Evans also fails to excite. There may be a little variety in watching able character actors John Van Dreelen and Joe DeSantis. If it's a circus movie you're after, Trapeze, Carnival Story, The Greatest Show on Earth and even The Big Circus might be more to your liking.
    The Revolt of Mamie Stover

    The Revolt of Mamie Stover

    6.4
    6
  • 16 dic 2006
  • Oh My, Who, on Oahu

    I'm not revolting when it comes to enjoying Mamie Stover. The GIs in 1940s Hawaii enjoyed her and so do I. OK, it's not even close to a cinematic masterpiece, but it's worth a gander on a rainy Sunday afternoon when the hubby has on his football. It has stunning Hawaiian locations, a fun if melodramatic script and 20th Century Fox gave it gorgeous Technicolor. It must have had studio head Buddy Adler's blessing because he took producer's credit. If you're a Jane Russell fan, forget "The Outlaw" and "Gentlemen Prefer Blondes" and "Underwater." The Russell you see here is smoldering...! She plays a down-on-her luck woman run out of San Francisco who lands on Oahu where she becomes a... a... a... dancehall hostess. (If they redid Mamie Stover today, it'd have a whole different look.) She makes lots of money and thumbs her pretty nose at her detractors. Maybe because she's called Flaming Mamie, Russell dyed her dark tresses to a shimmering red and natural redhead Agnes Moorehead, owner of the gin joint where Mamie works, has become a blonde. Aggie never made a film that she didn't elevate to a higher level. Michael Pate is wonderfully menacing as the gin joint bouncer/thug. Love interest Richard Egan is too bland and lovely Joan Leslie is wasted in a nothing supporting role. Tough-guy director Raoul Walsh, who had just finished directing tough-girl Russell in "The Tall Men," knew how to best display her acting chops and sultry good looks. Mmmmmm, whatever Mamie wants...
    Gypsy Colt

    Gypsy Colt

    6.2
  • 16 dic 2006
  • Mount Up

    It's true what they've always said... this is the equine version of "Lassie Come Home," right down to the horse punctually collecting the kid at school. As with all animal movies, it seems, something dreadful happens to the family and the animal is put to the test as a result. This time out the lead is a young girl, earnestly played by one of the acting Corcoran family, Donna. Ward Bond is appropriately firm-handed as the father and lovely Frances Dee exudes understanding as the mother. Lee Van Cleef is menacing as the villain of the piece. The gorgeous black stallion, Beaut, that plays Gypsy is the same horse that played the title role in the 1950s TV series "Fury" (please observe a moment of silence for my treasured childhood TV show) and was Elizabeth Taylor's loving steed in "Giant." It's a B effort for sure, but it's nicely done for the young horsey set and others so inclined.
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