StevieGunder
ago 2004 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos5
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas3
Clasificación de StevieGunder
This movie was ahead of its time. What might seem dated now was in fact ahead of its time in dealing with an adult story. There are some great special features on the Criterion Channel about the history and making of the film. The score (music composed by Chaplin, arranged for the film by others) almost kills it time and again. Once in a while the music matches well, but much of the time it plays musical themes that seem randomly tacked on and either jar you out of the scene, or just kills the emotion or tension. This is ripe for a new original score that is scored specifically scene by scene.
Having finally acquired a copy of this film after years of searching, I expected the worst, having heard stories about what a disaster and a piece of trash it is. Instead I found a rather tame, but very dark character study: certainly flawed, but interesting nonetheless and well worth the wait for Jennifer Jones fans. She gives an interesting, complex, disciplined performance, and is very striking looking at this late stage in her career. The movie seems to meander and lose some of its believability from time to time, but it leaves one with a haunted feeling that is hard to shake. Not great stuff, but not the bomb that legend has made it out to be.
The Lubitsch Touch is evident in this witty, intelligent film. Jennifer Jones shows a vivacity and humor she had never displayed before and would not again until her clever performance in "Beat The Devil". In one amazing scene where she cannot resist showing her wares as a Plumber (to the disdain of the other party guests) she gets to play a reaction to the debacle that is amazing in its combination of pathos and hilarity. Very interesting character actors including a very, very funny Una O'Connor (whose dialogue consists mainly of incessantly clearing her throat), the light as a feather and dead on playing of Margaret Bannerman, and also a chance to see Helen Walker. Charles Boyer plays with his customary light touch and is the anchor to this film, but finally it is Jennifer Jones' performance that takes one breath away and stays with you long after you've seen it.