cmjl-1
ago 2004 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de cmjl-1
Rolf de Heer has taken his idea of a scientist who in 1907 discovers that the world will end in 2008, combined it with time travel via a machine that would not look out of place in a museum of Heath Robinson artifacts, added a good dose of well natured slapstick humour and filmed a fast paced, witty story in the style of the old Buster Keaton comedies.
In 1907, Dr Plonk (busker and entertainer Nigel Martin) discovers that the world is going to end in 2008, however no-one in his time believes him. To collect proof, he builds a time machine with the help of his erstwhile assistant Paulus (Paul Blackwell) who spends more time being badgered by Mrs Plonk (Magda Szubanski) or being forced to walk the dog (Tiberius) than actually working. Together they use it to try and collect proof of the end of the world for the politicians in their time.
Filmed in black and white and presented with musical accompaniment by the Stileto Sisters, we see Dr Plonk in the usual "fish out of water" and life threatening situations that time travel plots usually permit, with a healthy dose of societal and political commentary thrown in for good measure.
With this film, de Heer has again proved himself to be a capable writer and producer of material that, while not intended to be a mainstream production, will appeal to the mainstream anyway.
His script allows Martin's skills as entertainer to be wonderfully showcased and with tight direction there are very few low spots, and it's easy to see why Szubanski was cast in the role that she has been as she fits the role of the nagging yet supportive wife so very well.
I was fortunate enough to view it at the final dress rehearsal/preview screening with live musical accompaniment provided by the Stileto Sisters and their performance went off without a hitch. A standing ovation awaited the performers and film at the end - bravo! I sincerely hope that this movie will be available on DVD for eventual purchase and addition to my collection!
In 1907, Dr Plonk (busker and entertainer Nigel Martin) discovers that the world is going to end in 2008, however no-one in his time believes him. To collect proof, he builds a time machine with the help of his erstwhile assistant Paulus (Paul Blackwell) who spends more time being badgered by Mrs Plonk (Magda Szubanski) or being forced to walk the dog (Tiberius) than actually working. Together they use it to try and collect proof of the end of the world for the politicians in their time.
Filmed in black and white and presented with musical accompaniment by the Stileto Sisters, we see Dr Plonk in the usual "fish out of water" and life threatening situations that time travel plots usually permit, with a healthy dose of societal and political commentary thrown in for good measure.
With this film, de Heer has again proved himself to be a capable writer and producer of material that, while not intended to be a mainstream production, will appeal to the mainstream anyway.
His script allows Martin's skills as entertainer to be wonderfully showcased and with tight direction there are very few low spots, and it's easy to see why Szubanski was cast in the role that she has been as she fits the role of the nagging yet supportive wife so very well.
I was fortunate enough to view it at the final dress rehearsal/preview screening with live musical accompaniment provided by the Stileto Sisters and their performance went off without a hitch. A standing ovation awaited the performers and film at the end - bravo! I sincerely hope that this movie will be available on DVD for eventual purchase and addition to my collection!
From the moment the film opens, depicting aluminium cans rolling ceaselessly (and noisily) in the wind, along with the elderly Greek ladies putting this year's Christmas trees into the wrecked Austin 1800 (stuffed next to previous year's Christmas trees), you know that this film is going to be a little different.
Melbourne, one of the most multi-cultural metropolis's in the world (should that be metropoli?) is the setting for this rather dark comedy drama. Carl, an unemployed and very much down on his luck chef, gets a job at a less than reputable nightclub in the Melbourne suburb of Brunswick. He falls in love with one of the Greek barmaids, much to the consternation of the owner of the bar who has been betrothed to the barmaid. Not helping matters much is a Turkish kitchen hand, who appears to want to spend more time trading in stolen goods and drugs than actually working as a kitchen hand.
When matters escalate out of hand, Carl needs the specialist help that only his friend, Dave can provide. If it can be said that a good friend will help you move (house), it's fair to say that only a true friend will help you move - a body, and as a gravedigger at the local cemetery Dave is in the ideal position to help "dispose" of one of Carl's kitchen disasters.
Along the way, Dave is pestered by his Feminist-rights movement wife who spends most of her on-screen time berating Dave for his pathetic life, while Carl spends his time being roughed up by the nightclub bouncer, roughed up by a Turkish crime syndicate, or, more worryingly, being berated and belittled by his mother.
A truly enjoyable Australian film from the early 1990's, though apparently not available in Australia - I had to get my copy from the UK, though fortunately the UK release is region free.
Melbourne, one of the most multi-cultural metropolis's in the world (should that be metropoli?) is the setting for this rather dark comedy drama. Carl, an unemployed and very much down on his luck chef, gets a job at a less than reputable nightclub in the Melbourne suburb of Brunswick. He falls in love with one of the Greek barmaids, much to the consternation of the owner of the bar who has been betrothed to the barmaid. Not helping matters much is a Turkish kitchen hand, who appears to want to spend more time trading in stolen goods and drugs than actually working as a kitchen hand.
When matters escalate out of hand, Carl needs the specialist help that only his friend, Dave can provide. If it can be said that a good friend will help you move (house), it's fair to say that only a true friend will help you move - a body, and as a gravedigger at the local cemetery Dave is in the ideal position to help "dispose" of one of Carl's kitchen disasters.
Along the way, Dave is pestered by his Feminist-rights movement wife who spends most of her on-screen time berating Dave for his pathetic life, while Carl spends his time being roughed up by the nightclub bouncer, roughed up by a Turkish crime syndicate, or, more worryingly, being berated and belittled by his mother.
A truly enjoyable Australian film from the early 1990's, though apparently not available in Australia - I had to get my copy from the UK, though fortunately the UK release is region free.