samiyam
mar 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas6
Clasificación de samiyam
I saw this because I like Kirk Douglas and have been looking for his most obscure titles to flesh out my catalog of viewing... This qualified as obscure so I rented it at the "we have everything" videostore. YUCH! This movie deserves to be obscure! The production was trite, the story stupid, most of the characters seem to have phoned this one in and Kirk looks silly trying to do his normal workmanlike job against this panoply of mediocrity. This one should have been burned. What can I say? Jaquiline Susan was an aberration of the seventies which we all look back upon with horror just as we look upon bell-bottom jeans and afro wigs as abortions of bad taste blocking up the world. This movie is unintentionally bad.
Arie Verveen seems so filthy and stupid when the film begins and the sets and settings of the movie show such filth and unpleasant sights that the viewers begin to be disgusted. Watching the movie, I felt as if I was afraid to touch any surface and I felt that I needed a scrub-brush or a hose. These feelings, however, shouldn't allow the viewer to see that the movie is a fantastic psychological thriller under the surface. Arie Verveen, evoking the ghost of Brando, delves deeply into the character of his part to show how you never know what's what or who someone truly is until you get beyond the skin. Strong performances by Dominique Swain as the childlike bride, Henry Thomas as the brutal husband Edgar and Karen Allen as the modern-day witchwoman down the lane add depth to an already deep pond. An interesting viewing, I'm looking forward to more from Deborah Pryor, who provided a very well-made story.