jhaugh

In 1953 Richard Bissel wrote a novel titled "7&1/2 Cents." In 1955 his novel became the book for a Broadway Musical titled "The Pajama Game." Then George Abbott had Bissel write the screenplay for a musical film version of the play. In that movie, as in the book, a female Iowa pajama factory worker who is head of the union at the factory falls in love with a male superintendent who has been hired by the factory's boss to help oppose the workers' demand for a pay rise (7 & 1/2 cents.) Take this book and change the male role into the union rep and make the female role to be an executive from a corporation who want to downsize the candy factory or close it down. Then move it from the Sunny South to the frozen north (Minnesota,) remove the music, and you have this film. I just simply could not get the "The Pajama Game" or "7&1/2 Cents" out of my mind as I watched this film. And the ending was exactly the same.

Here is what I saw in this old movie (2004 and I am writing this in 2017)that I just watched. There are doors. People walk in and out of the doors. Some doors lead to other doors which lead to stairways which have doors that lead to hallways which have many doors on each side. One of these doors will most certainly lead to a landing where there will be an apparition. Scared of the apparition you will run up (or down) the stairs to a door which will lead to another hallway (or a room) with an apparition. You will be scared.

I have watched every episode from all the previous seasons, and this episode is the worst. Don Draper (Jon Hamm) heads up a great ensemble cast. The writer, and the show's creator, has chosen to take several of these characters – Don, Peggy Olson (Elizabeth Moss), Roger Sterling (John Slattery), and Betty Draper (January Jones)– and give them each an individual story line showing their travails. In following each individual story line, of each individual character, this episode loses the thrust and cohesion of previous episodes where the interaction between the ensemble gave the episodes their dynamic.

This episode starts off with a scene - a man is being given CPR while Don looks on - which is only laid into context later in the show: and when is does appear, in context, it is shown to be an event that even then is out of the time line - confusing! It appears yet again when a drunken Don badgers the person, who was given CPR, about their near death experience. It seems to be an obtuse way to get to that point, where Don is shown to be a mean drunk.

The script has us cutting in and out of the disparate four main story lines. After a while, I just found this to be annoying. Only Don' story and Betty's story have interest. Roger's was the least interesting. Peggy has a job as a poorly paid artistic director who is trying to follow in the footsteps of her mentor Don. You can decide on whether she can do that. Never the less, the show ended too quickly. This is probably because there is a part 2.