mojopro
feb 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos8
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas5
Clasificación de mojopro
The first thing that strikes me about Ready 2 Die is how well director John Azpilicueta utilizes limited resources and makes this feel like it had a much bigger budget than it probably did. The cinematographer in particular places you right in the action, as if you're a character in the film getting pulled through the action. This documentary feel was a smart choice for the story, as it ups the intensity, especially in the action scenes (which include one of the best car chase sequences I've seen in a long time). Not all of the acting is top notch, and there are some sound problems that would prevent this film from landing a perfect score, but there's enough good about it that it ranks as "very good- excellent" and is more than worth the watch.
The Louise Log, in its bite-sized offerings, perfect for watching a bit at a time on the ride to work, or in a binge, is a well-acted, smartly written and slyly funny short format series.
What separates this series from many like it is that it's not just funny. As you follow along, the characters grow onto you, and their depth is realized from moment to moment. You sympathize with their dilemmas while gleeing at their eccentricities, in a way that shows like Friends used to accomplish. Morgan Hallett's Louise centers the show, and she is quickly likable in the role. Danusia Travino's bizarre Queen Elizabeth is always a highlight. Everett Quinton's Ethelred is both touching and stir-crazy in his performance.
The cinematography grows as the series progresses, but it doesn't matter that the technical elements are not top notch from the start as the format of the show embraces these faults. Director and writer Anne Flournoy is aware of this at every step, and respects her audience enough to honor the performances of the wonderful cast above all else.
What separates this series from many like it is that it's not just funny. As you follow along, the characters grow onto you, and their depth is realized from moment to moment. You sympathize with their dilemmas while gleeing at their eccentricities, in a way that shows like Friends used to accomplish. Morgan Hallett's Louise centers the show, and she is quickly likable in the role. Danusia Travino's bizarre Queen Elizabeth is always a highlight. Everett Quinton's Ethelred is both touching and stir-crazy in his performance.
The cinematography grows as the series progresses, but it doesn't matter that the technical elements are not top notch from the start as the format of the show embraces these faults. Director and writer Anne Flournoy is aware of this at every step, and respects her audience enough to honor the performances of the wonderful cast above all else.