jazza923
ene 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos3
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas129
Clasificación de jazza923
There is so much talent involved in this movie, what happened? The cast and crew have a combined lifetime 61 Oscar nominations and 16 wins. How could this not be a better movie? It is well produced, the cinematography and costumes are fine and well done. The main flaws are the poorly written screenplay, the paper thin plot and the lack of spark from the main stars. It's not without some funny moments, but they are too scarce. The humor wears thin in less than an hour and it becomes a challenge to stay interested in the plot. The lovely Isabelle Adjani is wasted. Charles Grodin does score in a supporting role and outshines the rest of the cast.
"God, if you exist, why do you keep letting morons like Walsch get rich?', this is such a perceptive quote from New York Post critic Kyle Smith. The film starts out fairly well, and it means well, but about 50 minutes in, it falls apart with a preachy screenplay and over the top dramatics. The film never convinces, the production is purely amateur and is nothing more than a 109 minute infomercial. The score is particularly poor and the acting, for the most part is acceptable, but the central character needed a stronger actor than Henry Czerny. This is just another monetary notch in Neale Walsch's money belt. It is amazing how well religion can sell.
This film was mesmerizing from the opening scene right through to the end. The stylish and meticulous direction of Tom Ford evokes an amazing mood. The cinematography is impressive and so expressive. Superb costume design and outstanding period flavor, very very detailed and it genuinely evokes the era in which it is set. Above all is the bravura performance by Colin Firth. I have always liked him as an actor, but this role puts him in a whole new league. All the performances are excellent, and Julianne Moore excels in a supporting role. The pacing is perfect. The score does what a score is supposed to do, to compliment and subtly enhance the scenes. Beautifully done in every way. Fascinating, thought provoking and brilliant.