gelobter

This film won the Golden Leopard (Best Film award) at the 2015 Locarno Film Festival. By mistake, a film director arrives in a town a day early to attend a screening of one of his films. With time to kill, he strikes up a conversation with an aspiring painter who he meets in a temple and they spend the rest of the day together. Although he finds her attractive, she is considerably younger than him and neither of them are particularly outgoing. A bit like Sliding Doors or Kieslowski's Blind Chance, the film splits into two different versions of what happens over the next 24 hours but, unlike those two films, the outcome depends not so much on chance but on how the main character chooses to behave. Any further info would inevitably contain spoilers so let's just say that it reminded me of some of Erich Roemer's films and is a sort of moral tale. Whether or not you will like Right Now, Wrong Then will probably depend on what you think of the dialogue, which pretty much dominates (there is not much action and little in the way of visuals or soundtrack). In my view, it is almost a really good film but the script needed sharpening up, as my attention started wandering off more than once. Perhaps a bit more humour and a slightly faster pace would have helped, However, it is a thought-provoking film and I found it ultimately satisfying when it ended, which is why I give it 7/10.

There are a lot of people who rate this film so perhaps I just didn't understand it but I suspect that there wasn't much that needed understanding. I am a great fan of French films but this one seemed pretty pointless to me and there is little to say about it. It didn't satisfy either as an "entertaining" film (it has no real plot) or as a "thought-provoking" film (no character development, no analysis of human relations, etc). It also seemed to me to be very self-consciously American in style, if not a rather crude attempt to make a French film more palatable to the US market. There's nothing wrong with imitating the style of a country whose movies have conquered the world but I didn't think the director achieved it with any subtlety. Even the title of the film is a US English word. I guess it's just not my kind of film.

This film confirms my long-held suspicion that their films are the best. They may not make as much money as US films but at least they offer something of substance. Clearly, this is not a feel-good movie. And no, it's not about beautiful people living ostentatiously in palatial houses and wearing designer colthes. It's about the real life of two normal people and, although that might not appear to be a recipe for a particularly fascinating film, I was enthralled. It is so rare nowadays to see a films that conveys emotions and human relationships so powerfully and I have no hesitation in putting this film in my short list of the best I've seen in recent years.

In detail, two girls whose lives are drifting nowhere are staying rent-free in the flat of a family all but one of whom have been killed in a car accident. One of the girls has a family background that we never learn more about but which is clearly unhappy. She pins her hopes on a rich boyfriend whose father owns the nightclub they frequent. The other girl is more of a thoughtful type and becomes obsessed with the only survivor from the car accident whom she regularly visits in hospital, where she is lying in a deep coma. The girls' lives start to take different directions, their relationship breaks down and one of them starts to lose her mind. Any further detail would spoil the plot but the final scene shows one of the girls working in a clean and efficient-looking factory which is in marked contrast to the tacky sweat shop where the girls were working at the beginning of the film. For all the tragedy, the film's message is ultimately one of hope: however hard life is, don't give up.