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Like the fast-moving train, the screenplay also paces itself swiftly without boring the audience. The entire film is about this one episode, and action blocks are lined up in most scenes, coupled with a few montage sequences to elevate the emotions. The action choreography is brilliant and cinematographer Rafey Mehmood executes them seamlessly, and the set pieces deserve special mention.

Kill has the visual narrative of an action video game, with each level becoming more challenging, and promising an interesting episode. The linear screenplay also helps in keeping the audience hooked on the plot. The violence does escalate as the story progresses, staying true to its tagline of being the 'most violent' Indian film. In short, Kill is mostly an entertaining film for fans of the action genre.

Jawan is an exemplary homage to both Indian and Western action flicks that inundated the industries in the early nineties. The movie could well be on its way to replicate what Top Gun Maverick did to an ailing Hollywood, in Bollywood. Slick action sequences, paired with romance, filial affections and some amazing music makes Jawan a perfect watch. That, paired with a double dose of Shah Rukh Khan is well worth the money. All said and done, Jawan will always be remembered for Atlee's extraordinary way of giving Shah Rukh Khan a befitting tribute, proving why he's, for all reasons, 'the last of the stars'. Jawan is a big screen spectacle. Ready or not, this is a ride that's definitely worth taking.