ChrisInMiami
dic 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos3
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Calificaciones62
Clasificación de ChrisInMiami
Reseñas59
Clasificación de ChrisInMiami
... just because of the gimmick.
Town villain, Bat Haines, pits two ranchers against each other so he can pick up the pieces. One rancher's son, Buck Lawson, falls in love with the other rancher's niece while he tries to make peace and find the truth.
OK, it is an exploitation film in its purest sense, made to sell tickets at the spectacle of little people in a western, but once you get past that you can marvel at the historical significance and appreciate it for the bad/fun movie it really is!
For every shot of someone walking under a horse, or saloon door, or fence rail, there is a line delivered in complete monotone. For every cowboy that nearly gets bounced off his horse, there is another firing a gun from a limp, sideways hand. My absolute favorite part of the movie is the relationship between the villain and the femme fatale with the Elmer Fud accent (Blazing Saddles you hacks!)
The primary cast were putting their hearts into it and this movie has to be seen to be believed, right up to the finale fight between our hero and the villain.
Town villain, Bat Haines, pits two ranchers against each other so he can pick up the pieces. One rancher's son, Buck Lawson, falls in love with the other rancher's niece while he tries to make peace and find the truth.
OK, it is an exploitation film in its purest sense, made to sell tickets at the spectacle of little people in a western, but once you get past that you can marvel at the historical significance and appreciate it for the bad/fun movie it really is!
For every shot of someone walking under a horse, or saloon door, or fence rail, there is a line delivered in complete monotone. For every cowboy that nearly gets bounced off his horse, there is another firing a gun from a limp, sideways hand. My absolute favorite part of the movie is the relationship between the villain and the femme fatale with the Elmer Fud accent (Blazing Saddles you hacks!)
The primary cast were putting their hearts into it and this movie has to be seen to be believed, right up to the finale fight between our hero and the villain.
An excellent documentary that starts with an introduction to the rise of the British dance club movement, how it moved from the streets into the club, then moves to the rise of Fatboy Slim and the main topic, the near disastrous, free concert he threw on the shore of Brighton Beach.
Includes archival footage, interviews with patrons, ravers, celebrities in attendance, the police commander in charge, the music media and the man himself F. S.
Having participated in large event planning as both patron and on the organization side I can say it was nothing short of a miracle multiple people were not killed.
Includes archival footage, interviews with patrons, ravers, celebrities in attendance, the police commander in charge, the music media and the man himself F. S.
Having participated in large event planning as both patron and on the organization side I can say it was nothing short of a miracle multiple people were not killed.