tstrauss
oct 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas1
Clasificación de tstrauss
I'm not going to go into elaborate detail about the quality or goings-on of the story, because Adam Mason's press release warned/boasted that the film contained no plot...only brutality, gore & degradation. And it certainly lived up to that. As far as as a review is concerned, I agree completely with pretty much everything Shawn Savage said in his review.
I was pretty bored throughout the proceedings, especially after I noticed the first edit in the supposedly uninterrupted, single-take film. It occurred approx 20 min. into the film...the camera moves in on the truck-bed girl's dress, there's a dissolve (read: cut), and the camera pulls back to continue capturing the goings-on. Not that what Adam Mason & co. pulled off in long takes wasn't sometimes impressive, but if you're going to boast a 70+ minute, uninterrupted take, don't cheat. My opinion is if they decided to allow themselves "hidden" cuts (a la Hitchock's ROPE), they might as well have put some effort into some semblance of a storyline to make the whole thing a bit less monotonous.
I probably would have only given this 2 stars, but the film's score was really quite engaging and well-done throughout, and that's primarily what kept me watching.
I was pretty bored throughout the proceedings, especially after I noticed the first edit in the supposedly uninterrupted, single-take film. It occurred approx 20 min. into the film...the camera moves in on the truck-bed girl's dress, there's a dissolve (read: cut), and the camera pulls back to continue capturing the goings-on. Not that what Adam Mason & co. pulled off in long takes wasn't sometimes impressive, but if you're going to boast a 70+ minute, uninterrupted take, don't cheat. My opinion is if they decided to allow themselves "hidden" cuts (a la Hitchock's ROPE), they might as well have put some effort into some semblance of a storyline to make the whole thing a bit less monotonous.
I probably would have only given this 2 stars, but the film's score was really quite engaging and well-done throughout, and that's primarily what kept me watching.