amy-lesemann

Most of the previous reviews get it right about Black Legion; it's not Bogart's best by a long shot. But here's the catch: it's not a "thinly veiled" swipe at the KKK. It's about the actual, real-life Black Legion. I know; you've never heard of it. Neither did I, until I was cleaning out the stack of magazines in our Indiana farmhouse. Let's hear it for hoarding, because there it was, as large as one of those Life Magazines - a profile on ...the Black Legion.

I was horrified, but it did exist:

"The Black Legion was a secret vigilante terrorist group and a white supremacist organization in the Midwestern United States that splintered from the Ku Klux Klan and operated during the Great Depression of the 1930s. According to historian Rick Perlstein, the FBI estimated its membership "at 135,000, including a large number of public officials, possibly including Detroit's police chief." In 1936 the group was suspected of assassinating as many as 50 people according to the Associated Press.[1]

The white paramilitary group was founded in the 1920s by William Shepard in east central Ohio in the Appalachian region, as a security force named the Black Guard in order to protect Ku Klux Klan officers.[2][3] The Legion became active in chapters throughout Ohio. One of its self-described leaders, Virgil "Bert" Effinger, lived and worked in Lima, Ohio."

So why is there so little in our history books about it? It was a relatively short lived hate group, but it showed up in other places: "Hollywood, radio and the press responded to the lurid nature of the Legion with works that referred to it. Legion of Terror (1936) starred Ward Bond and Bruce Cabot, and was based on this group. Black Legion (1937), a feature film, starred Humphrey Bogart. True Detective Mysteries, a radio show based on the magazine of the same title, broadcast an episode on April 1, 1937 that referred directly to the Black Legion and Poole's murder. The radio show The Shadow, with Orson Welles in the title role, broadcast an episode on March 20, 1938, entitled "The White Legion"; it was based loosely on the Black Legion. Malcolm X and Alex Haley collaborated on the leader's The Autobiography of Malcolm X (1965); he noted the Legion as being active in Lansing, Michigan where his family lived. Malcolm X was six when his father died in 1931; he believed the father was killed by the Black Legion. The TV series History's Mysteries presented an episode about the group entitled "Terror in the Heartland: The Black Legion" (1998).

I realize I haven't written much about the movie; others have done that well. But we need to accept that this... is based on real life.

This movie has what's needed to be a funny and touching movie, without veering into Hallmark card territory. Director McKaskell draws a great performance out of Carlo Fiorletta, who morphs, on screen, from a sad sack widower to a maybe-sexy single older man. Actor Tara Westwood handles the funny stuff from the start, from the humiliation of being the last to find out she's married to a closeted gay man, to realizing that, indeed, her father has needs just as much as she does.

Who would have thought? The nerve!

The cinematography must have been challenging, as shooting a road picture, realistically, always is. Yet the shots are relentlessly impressive - one lovely beach scene followed by Spanish moss followed by the quiet intensity of the boat scene near the end.

Unlike writer Mara Lesemann's first movie, Surviving Family, this movie is more focused, more tight, and so has a storyline that pulls one along. There are fewer side characters, and they serve as more clear foils to the major characters. That's really a plus - we get to know these folks well by the end of the movie. And we care about them. By the closing shot, we're really pulling for Dan to make that move.

So why a 9 and not a 10? Picky stuff, such as the love interest wearing his shirt the next morning, when the woman didn't - I've never known a guy to get up at night and pull on a t-shirt. A scene in a bar felt a little off. And still too many side characters, who seemed well- loved by the writer but could still be cut for greater intensity. But 95 plus percent of this movie was spot on, and the original music was fantastic - I would buy some of that music. The rapping night clerk? great. Phyllis Somerville plays the mechanic and we saw her in Surviving Family; here, we get a better understanding of the don't ask/don't tell mentality that lingers in the south.

Overall? Great movie. Would watch it again. If it comes near you, grab it.