filmfortheblind
oct 2003 se unió
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Distintivos6
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Reseñas10
Clasificación de filmfortheblind
Runner up at Cannes in 1997, this sci-fi masterpiece is a film that any cinema aficionado should have in their collection. Part Cinéma vérité, part Neo-noir, the aptly titled "Laserhawk" is a movie that has changed the face of cinema, and for that matter the art of story telling as we know it.
Set in mid-western America at the turn of the millennium, "Laserhawk" stars Jason James Richter, who the academy has egregiously passed over numerous times after his Oscar worthy performances in "Free Willy" and "Free Willy 2: The Adventure Home". Richter's character borders a delicate balance between adolescent angst and brimming masculinity. Richter frames this duality between boy and man with incredible poise as he valiantly saves the world from a species of invading alien spiders. His acting clearly raises the bar for his accompanying cast, who help mold "Laserhawk" into a pinnacle of thespianism.
The story follows three teenagers (two of which are inhabited by alien spirits) who defend earth from a race of evil alien spider invaders who have returned to harvest their crop: humanity. Their tale, spanning from suburban America into the cosmos, is brilliantly interlaced with twists and turns, including a run in with a human inhabited by a 250 million year old alien played by Mark Hamill (who also happens to be the best star-fighter in the galaxy). Sadly he meets his death when he crashes an army supply truck at 15 mph (cue explosion).
The brilliant plot is supported by exquisite dialog weaved by the maestro screenwriter himself John A. Curtis ("Xtro II: The Second Encounter"). Characters transcend their very own existence and evolve almost into living beings that the audience cares and feels for, like when the trio's third wheel, M.K. Ultra aka Rodney Terence Stanko, questions his own existence by asking, "Am I only here for comic relief?" Yes, M.K. Ultra aka Rodney Terence Stanko, sadly you are.
People may question "Laserhawks" quote un-quote similarities to other sci-fi movies, such as the fact that the evil alien's mother ship looks very close to the one in "Independence Day" and that the heroes have to fly into the ship, dock with it and blow it up from the inside; the fact that Mark Hamill is cast as a star-fighter from a long time ago in a galaxy far, far away and takes part in leading an "intergalactic rebel force"; that the story slightly resembles various episodes of the "X-Files" and the movie "Alien"; or even that the concept of evil alien bugs was used in "Starship Troopers" and "Men in Black". There are so many movies out there that any film will have a coincidental similarity here and there. However, if you look deeper into the intricate story, "Laserhawk" is the precipice of originality.
Much can be said about "Laserhawk": a modern day epic with plot that rivals "The Godfather" in quality, with "Citizen Kane" caliber cinematography shored by "Matrix"-style special- effects, but for "Laserhawk" there is no comparison. This pièce de résistance or magnum opus if you will, could enter into the annals of cinema as the greatest movie ever made (that is until "Laserhawk II"). Let us thank director Jean Pellerin for leaving us with an open ending, so we may be privy enough to witness a possible sequel in our lifetime.
Set in mid-western America at the turn of the millennium, "Laserhawk" stars Jason James Richter, who the academy has egregiously passed over numerous times after his Oscar worthy performances in "Free Willy" and "Free Willy 2: The Adventure Home". Richter's character borders a delicate balance between adolescent angst and brimming masculinity. Richter frames this duality between boy and man with incredible poise as he valiantly saves the world from a species of invading alien spiders. His acting clearly raises the bar for his accompanying cast, who help mold "Laserhawk" into a pinnacle of thespianism.
The story follows three teenagers (two of which are inhabited by alien spirits) who defend earth from a race of evil alien spider invaders who have returned to harvest their crop: humanity. Their tale, spanning from suburban America into the cosmos, is brilliantly interlaced with twists and turns, including a run in with a human inhabited by a 250 million year old alien played by Mark Hamill (who also happens to be the best star-fighter in the galaxy). Sadly he meets his death when he crashes an army supply truck at 15 mph (cue explosion).
The brilliant plot is supported by exquisite dialog weaved by the maestro screenwriter himself John A. Curtis ("Xtro II: The Second Encounter"). Characters transcend their very own existence and evolve almost into living beings that the audience cares and feels for, like when the trio's third wheel, M.K. Ultra aka Rodney Terence Stanko, questions his own existence by asking, "Am I only here for comic relief?" Yes, M.K. Ultra aka Rodney Terence Stanko, sadly you are.
People may question "Laserhawks" quote un-quote similarities to other sci-fi movies, such as the fact that the evil alien's mother ship looks very close to the one in "Independence Day" and that the heroes have to fly into the ship, dock with it and blow it up from the inside; the fact that Mark Hamill is cast as a star-fighter from a long time ago in a galaxy far, far away and takes part in leading an "intergalactic rebel force"; that the story slightly resembles various episodes of the "X-Files" and the movie "Alien"; or even that the concept of evil alien bugs was used in "Starship Troopers" and "Men in Black". There are so many movies out there that any film will have a coincidental similarity here and there. However, if you look deeper into the intricate story, "Laserhawk" is the precipice of originality.
Much can be said about "Laserhawk": a modern day epic with plot that rivals "The Godfather" in quality, with "Citizen Kane" caliber cinematography shored by "Matrix"-style special- effects, but for "Laserhawk" there is no comparison. This pièce de résistance or magnum opus if you will, could enter into the annals of cinema as the greatest movie ever made (that is until "Laserhawk II"). Let us thank director Jean Pellerin for leaving us with an open ending, so we may be privy enough to witness a possible sequel in our lifetime.
Remember way back when Rob Schneider was funny? Yeah, I don't either. Yet some how, against the odds of all likely probability (and logic), he has managed a semi-successful movie career. After riding the Adam Sandler train from funny to Annoyingville, Schneider has turned in gems like "The Hot Chick", "The Animal" and of course the first chapter in his epic testimony of male prostitution, "Deuce Bigalow: Male Gigolo".
The second installment, "Deuce Bigalow: European Gigolo", takes concept of the first movie and sets Deuce in the awkwardness of Europe. The concept is similar to "Euro-Trip". Sadly for the producers, the formula for a successful film isn't like mathematical multiplication; two negatives don't make a positive and European Gigolo is (hard to believe that it's possible) worse than the original.
The plot of the movie can be described as disjointed and confusing, sacrificing any sense of story to get across jokes that for the most part don't pay off. After realizing then that there is nowhere to go, the plot reverts back to the weak original story where Deuce has to court odd women to achieve some goal. While not dealing with strange women we are serenaded by the comedy of Deuce's pimp, TJ Hicks played by Eddie Griffin. Oh and this just in Eddie Griffin is not funny and never has been.
This movie would be perceived as offensive to Europeans if it wasn't completely retarded. In truth it is more offensive to Americans because our country actually produced this steaming pile of poop.
The second installment, "Deuce Bigalow: European Gigolo", takes concept of the first movie and sets Deuce in the awkwardness of Europe. The concept is similar to "Euro-Trip". Sadly for the producers, the formula for a successful film isn't like mathematical multiplication; two negatives don't make a positive and European Gigolo is (hard to believe that it's possible) worse than the original.
The plot of the movie can be described as disjointed and confusing, sacrificing any sense of story to get across jokes that for the most part don't pay off. After realizing then that there is nowhere to go, the plot reverts back to the weak original story where Deuce has to court odd women to achieve some goal. While not dealing with strange women we are serenaded by the comedy of Deuce's pimp, TJ Hicks played by Eddie Griffin. Oh and this just in Eddie Griffin is not funny and never has been.
This movie would be perceived as offensive to Europeans if it wasn't completely retarded. In truth it is more offensive to Americans because our country actually produced this steaming pile of poop.
