mikefreebelieve
may 2011 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de mikefreebelieve
Predator: Killer of Killers is an ultra-badass anthology animated film where warriors from various eras in Earth's history are called upon to face the ultimate killer.
Each story features its own small character arcs that serve the plot perfectly and never feel forced. They could each stand alone as separate films, but perhaps it's better this way-in a short format-because the storytelling and directing feel more focused and impactful.
The action is thrilling, with incredible cinematography and striking camera angles. Thanks to the steady camera work and crisp editing, everything unfolds clearly before the viewer's eyes, allowing every detail of the choreography to be fully appreciated. This is something animation can achieve more easily compared to live-action films.
The animation style reminded me of Arcane (2021), though the lines here are slightly bolder-maybe it's just my impression. Either way, it looks fantastic. A real piece of eye candy, which, combined with a delightful musical score, becomes a spectacular visual experience.
You'll enjoy seeing new versions of the Predator-stylistically and in terms of movement. Each one "fits" the historical period of their respective story. For example, the Viking-era Predator is more muscular and brute-like, while the one in feudal Japan is built for agility and speed. They're all beautifully designed, terrifying, deadly, and each has their own gadgets.
Michael Biehn of Aliens (1986) lends his voice, and Dan Trachtenberg directs. He's the same director behind the previous Predator film, Prey (2022), and is also set to bring us Predator: Badlands later this year. In fact, Killer of Killers is tied to previous Predator films, so I believe it's canon. If I understood the ending correctly, Badlands will be connected to Killer of Killers as well-to what extent remains to be seen.
Killer of Killers is a one-of-a-kind Predator film. The fact that it takes place during such pivotal moments in history makes it instantly captivating.
Everything works seamlessly: the characters, the style, the action, the unrelenting violence, the spectacle, and the climactic finale that ties everything together beautifully. One of the best films of the year-a true gem in the Predator universe.
Each story features its own small character arcs that serve the plot perfectly and never feel forced. They could each stand alone as separate films, but perhaps it's better this way-in a short format-because the storytelling and directing feel more focused and impactful.
The action is thrilling, with incredible cinematography and striking camera angles. Thanks to the steady camera work and crisp editing, everything unfolds clearly before the viewer's eyes, allowing every detail of the choreography to be fully appreciated. This is something animation can achieve more easily compared to live-action films.
The animation style reminded me of Arcane (2021), though the lines here are slightly bolder-maybe it's just my impression. Either way, it looks fantastic. A real piece of eye candy, which, combined with a delightful musical score, becomes a spectacular visual experience.
You'll enjoy seeing new versions of the Predator-stylistically and in terms of movement. Each one "fits" the historical period of their respective story. For example, the Viking-era Predator is more muscular and brute-like, while the one in feudal Japan is built for agility and speed. They're all beautifully designed, terrifying, deadly, and each has their own gadgets.
Michael Biehn of Aliens (1986) lends his voice, and Dan Trachtenberg directs. He's the same director behind the previous Predator film, Prey (2022), and is also set to bring us Predator: Badlands later this year. In fact, Killer of Killers is tied to previous Predator films, so I believe it's canon. If I understood the ending correctly, Badlands will be connected to Killer of Killers as well-to what extent remains to be seen.
Killer of Killers is a one-of-a-kind Predator film. The fact that it takes place during such pivotal moments in history makes it instantly captivating.
Everything works seamlessly: the characters, the style, the action, the unrelenting violence, the spectacle, and the climactic finale that ties everything together beautifully. One of the best films of the year-a true gem in the Predator universe.
I missed old school romantic movies who doesnt need to become vulgar or make its protagonist humiliated through the whole movie.
Love again is so sweet of a film.
The two leading actors are loveable with good chemistry. The rhythm of the film is great. It goes by the book but who cares? There's magic that will make you feel warm and cozy. Oh, and the music from Dion is pretty cool too.
Watch it alone, with your partner or with your date and you'll definitely have a great time. Cinema needs more movies like this one. It doesnt have to get too complicated. Just deliver a simple and beautiful story with likeable characters.
Love again is so sweet of a film.
The two leading actors are loveable with good chemistry. The rhythm of the film is great. It goes by the book but who cares? There's magic that will make you feel warm and cozy. Oh, and the music from Dion is pretty cool too.
Watch it alone, with your partner or with your date and you'll definitely have a great time. Cinema needs more movies like this one. It doesnt have to get too complicated. Just deliver a simple and beautiful story with likeable characters.
Spanish thriller full of horror, humor and fine practical (and some CGI) effects. The monsters look like demonic zombies. There are splatter and some interesting comic shots which I really liked. The directors put a lot of emphasis on their characters, something that makes you care about them (surprisingly there is also heart). Even the 'annoying' snob teenager has managed to make her likable, which is not easy. You won't find bad performances. The driver in particular - a sharp, talkative guy - is a real delight. The film doesn't take itself entirely seriously, but it respects the rules of the genre. For example, when they wants to show a scene of suspense and horror, they won't ruin it by making humor, like in other movies..
An enjoyable hour and a half, I just think it deserved a better climax for the finale.