artimusduck
jul 2003 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Reseñas4
Clasificación de artimusduck
I'll keep it short: absolutely loved the book, for over 20 years. Still holds up and retains the quirky, sarcastic and sardonic elements that made me fall in love with it when I was 15. The movie is yet another failed adaptation of Vonnegut's work. It tries, it swings for the fences, but ultimately, it completely misses. I wanted to like this movie. I tried reeeaaalllll hard, but let's face it, it stinks.
I'm not a literature snob, I think many outstanding films have been made from great books (To Kill a Mockingbird, for one), many great films have been made from sub-par books (Being There, in my opinion is one), and pretty good films CAN be made from Vonnegut (SH5 was a pretty good adaptation and Mother Night was very good, I
thought). This one was not a good film, or even a decent film. It stunk big head cheese left on a hot Texas porch in July.
It wasn't for lack of trying or talent, it just failed to understand the material or simply wasn't able to translate it to film (and I just gotta say, I don't care if BoC is Willis' favorite book, he can't pull off Dwayne Hoover and his presence, while being the sole reason for this adaptation's existence, kills the film, from his acting to his obvious control over it behind the scenes as a producer and a financier). Imagine if William H. Macy was in it. That might be a good film. Try to avoid the temptation to see if this group can pull the movie off. They can't and you will be left unfulfilled and depressed, or even p*ssed off. Like I was.
I'm not a literature snob, I think many outstanding films have been made from great books (To Kill a Mockingbird, for one), many great films have been made from sub-par books (Being There, in my opinion is one), and pretty good films CAN be made from Vonnegut (SH5 was a pretty good adaptation and Mother Night was very good, I
thought). This one was not a good film, or even a decent film. It stunk big head cheese left on a hot Texas porch in July.
It wasn't for lack of trying or talent, it just failed to understand the material or simply wasn't able to translate it to film (and I just gotta say, I don't care if BoC is Willis' favorite book, he can't pull off Dwayne Hoover and his presence, while being the sole reason for this adaptation's existence, kills the film, from his acting to his obvious control over it behind the scenes as a producer and a financier). Imagine if William H. Macy was in it. That might be a good film. Try to avoid the temptation to see if this group can pull the movie off. They can't and you will be left unfulfilled and depressed, or even p*ssed off. Like I was.
Dear Lord, I don't even know why I'm bothering. It's 1:30 am and I just finished watching this pointless, hopelessly unnecessary remake. I dunno, even getting into this for true students of American Horror cinema (of American Independent Cinema, period) would be like discussing the merits of Blink 182 covering the White Album by the Beatles. It's just a dead argument to begin with. So, with that being said, let's pretend that a remake HAD to be made, like some weird law dictated it so. Let me ask a few questions:
One: Did it bring anything new to the table?
No. Well, what little it did was total nonsense. Took a simple, if crude and fantastic, story and gave it more useless and idiotic plot zigzags that added nothing and left you groaning, saying "What the Hell was the point of making (fill in the character) do THAT?"
Two: Did it make the story it's own (like say Johnny Cash's rendition of Rusty Cage)?
Not really. Just a lot of un-scary, uninvolving junk. It took the strange journey of Sally Hardesty and her friends and changed it into some plot to get to a Skynyrd concert. The victims were in a sense outsiders, unlike in the original where the Saw family was a twisted mirror image of the protagonists, a comment on the decay of the modern family post-war unit in decline. This new one offered ONE slim and idiotic insight as to why ANY of this carnage and twisted society exists: "Leatherface" had a skin disease as a child and people would taunt him, so he's allowed to be a twisted butcher with about a baker's dozen of family members who go along with their normal-esquire daily lives.
Ah, I'm done. I could go on for literally thousands of words on this topic (sad, isn't it?). Let's just say the original deserves it's accolades and standing as not only a classic horror milestone but also as an American Cinematic Original, while this remake is simply Hollywood crap. Just pointless. Without the name "Chainsaw", it would be a disposable genre filler, with even less style than you typical late 80's-early 90's fare (Hell, this one almost makes the wonderful ridiculousness of Dennis Hopper's chainsaw duel in "Saw 2" in the mid 80's look like Citizen Kane in comparison). It's like every one directly involved had NO IDEA WHATSOEVER the original meant, was saying or NOT saying, showing or NOT showing. They wanted to make what we all feared they would when we heard they were doing a remake: a generic, muddled, over the top yet
convoluted slasher film.
Yup, a steamin' pile. As Casey Kasem once said,"Ponderous . . . (expletive) ponderous, man".
One: Did it bring anything new to the table?
No. Well, what little it did was total nonsense. Took a simple, if crude and fantastic, story and gave it more useless and idiotic plot zigzags that added nothing and left you groaning, saying "What the Hell was the point of making (fill in the character) do THAT?"
Two: Did it make the story it's own (like say Johnny Cash's rendition of Rusty Cage)?
Not really. Just a lot of un-scary, uninvolving junk. It took the strange journey of Sally Hardesty and her friends and changed it into some plot to get to a Skynyrd concert. The victims were in a sense outsiders, unlike in the original where the Saw family was a twisted mirror image of the protagonists, a comment on the decay of the modern family post-war unit in decline. This new one offered ONE slim and idiotic insight as to why ANY of this carnage and twisted society exists: "Leatherface" had a skin disease as a child and people would taunt him, so he's allowed to be a twisted butcher with about a baker's dozen of family members who go along with their normal-esquire daily lives.
Ah, I'm done. I could go on for literally thousands of words on this topic (sad, isn't it?). Let's just say the original deserves it's accolades and standing as not only a classic horror milestone but also as an American Cinematic Original, while this remake is simply Hollywood crap. Just pointless. Without the name "Chainsaw", it would be a disposable genre filler, with even less style than you typical late 80's-early 90's fare (Hell, this one almost makes the wonderful ridiculousness of Dennis Hopper's chainsaw duel in "Saw 2" in the mid 80's look like Citizen Kane in comparison). It's like every one directly involved had NO IDEA WHATSOEVER the original meant, was saying or NOT saying, showing or NOT showing. They wanted to make what we all feared they would when we heard they were doing a remake: a generic, muddled, over the top yet
convoluted slasher film.
Yup, a steamin' pile. As Casey Kasem once said,"Ponderous . . . (expletive) ponderous, man".
What can be said about this? It's a pale rip-off of Spongebob, which was a pale rip-off of Johnny Bravo, that was a derivative piece of you know what. The animation is identical to all the other minimalist thick-outline Powerpuff Girls (Hanna Barberra inspired) follow the leader junk that's out there, the voices are typically annoying (trying to be "whacky" and failing miserably), the storylines are insipid. Desperate to be "hip" with the "Hot Topic" tweenager crowd, it is a by-th-books, connect-th-dots waste of a half hour. My fear is that Gravas actually thinks he's hip and edgy. He is redundant and derivative, like Spongebob, Fairly Oddparents and the carbon copy garbage that the rest of those Kricfulusi wannabes churn out ad nauseum. TURN OFF THE TV.