eclecticist

In the mid-1970s, "The X Files" was called "The Night Stalker" (TNS). Now a show that far ahead of its time couldn't exist for long in the mediocre milieu of network television, but for one brief year, we were treated to one of the greatest characters ever to inhabit TV Land.

All week, I would wait for the night the show came on, and if my homework was finished and my chores completed, I could try to talk my way past my mom's objections that "It'll give you nightmares!" (Which it did, but they were a small price to pay.) Now if we're being honest, I'll have to admit that the quality of the scripts (not to mention the special affects) was wildly uneven. But when it was good, it was magical! And even when the episode's plot left something to be desired, the relationship between Kolchak and his boss, Anthony Vincenzo (played to perfection by Simon Oakland), made every minute worthwhile.

If ever a series revolved around an anti-leading man, TNS was that series. Carl Kolchak wasn't young, handsome, or suave, and he worked for a two-bit, perpetually broke news service. A real old-school reporter, he was cynical and hard-bitten, and his prose tended toward the florid. His suit was always rumpled, and his shoes were worn. He always seemed to be in a hurry, yet he always arrived late and out of breath. In any fight, he was sure to get the worst of it.

In other words, he was far from the glamorous, polished hero image usually found in TV's mystery shows. Which made him real! Every week I would root for him to find one--just one--person that would believe his incredible stories ... but just try to get someone to take you seriously when you're talking about vampires or werewolves! Even the cops, staring the evidence in the face, were loathe to admit to anything, even away from the public eye.

Mr. Vincenzo, Kolchak's boss, was always harried and hounded to the verge of a nervous breakdown by the stress of trying to keep his tiny bureau out of bankruptcy while simultaneously pleasing his bosses in New York. All Tony ever wanted was a little peace and quiet, a good night's sleep, and a smooth-running operation. With Kolchak on his staff, however, those were all as rare as high-quality photographs of an alien or the devil.

Long before Moonlighting's conflict-energized dialogues between Sybill and Bruce, Tony and Carl could go at it with the best of them--and always at the top of their lungs. Kolchak usually managed to get the best of his boss, who was always threatening to fire the troublesome reporter "if that story isn't on my desk first thing in the morning!" Instead, he was much more likely to get a 3 a.m. call from the local police precinct, pleading for him to come down and post bail. Because Kolchak's main characteristics were persistence, an open mind, and incredible curiosity--none of which endeared him to local law enforcement. The police brass was always trying to cover up the uncomfortable details that Kolchak was determined to unearth ... and he wanted them to admit things that would get them thrown in a loony bin.

Kolchak is a dying breed. On one hand, TV News was already outbidding print services for talent, and on the other Woodward and Bernstein were about to revolutionize reporting. Soon, reporters would no longer dream of a big scoop on the latest sensational murder; instead, it was to become all about politically themed exposes ... who can take down the biggest politician.

But Carl Kolchak was a great character, foibles and all, and Darren McGavin played him spot on, note for note. So it may have lasted a mere 20 episodes ... but what a show!

This film, together with its prequel and two sequels, is the best adult movie I've ever watched. Part 2 is my personal favorite. It actually has a plot, and the erotic sequences are credible within the context of the film. This is not just a lot of people having sex.

In addition, it features some of the best acting ever in an erotically-oriented movie. Raven, in particular, is devastatingly effective in her role. Taija Rae, too, is very emotionally convincing, although Gloria Leonard seems unsure what effect she is trying to achieve.

Erotically, this film pushes all kinds of buttons beyond just the obvious (incest) theme. The set-ups for the sex scenes includes real build-ups of erotic tension, which makes all the difference when the actual sex happens. Definitely worth your while if you like something more than just disconnected sex scenes (though the sex sizzles as well).

Back in 1985, my wife and I were living in Mexico City. Most evening TV consisted of Spanish translations of US shows, but somehow we started watching Los ricos tambien lloran. It was replete with all the standard soap opera hooks: betrayal, pretend friends, evil schemers, and the lovely, innocent heroine.

But it was so much fun! I don't think we missed an episode the whole time we were there. The suspense was maintained without going over the top, and we couldn't help but tune in and root for Veronica's character to get all that someone so good-hearted truly deserves. We'd scream at the TV when her naivete led her to trust the various no-goodniks who were out to take advantage of her, but we just hoped against hope that in the end, fate would deal comeuppance to all those who tried to sandbag her efforts to make a life for herself.

I've never watched more than a few minutes of any other soap opera, Spanish or English, but we thoroughly enjoyed this one.