sourav894

Directors are usually reluctant to translate history on celluloid. They are instead inclined to offer new interpretations of history, shed light on little-known facts about their subjects, and even raise questions that were missed. On the contrary, the title of Shyam Benegal's film- Netaji Subhash Chandra Bose – The Forgotten Hero- itself tells a story! Nobody remembers what he did, except to say that he was a great big hero. Few people remember that he challenged Gandhi, or that he was married.

The film's narrative is brilliantly broken into three parts. These are headed under Itmad, Ittefaq and Qurbani after the motto of the Indian National Army. The film brilliantly captures the vast canvas of its history, geography and political ambiance just before India's independence from British rule. The film is the product of painstaking historical, documentary and other research that spanned 18 months. The research team explored all available material, interviewed the people alive such as Netaji's Japanese interpreter, then in his late eighties.

The film comepletely lacks loud and bombastic rhetoric, a common feature of most nationalist and biographical films made on national heroes. Its central focus is on the man behind the hero, the human being behind the mask of the national leader, a true lover of his country dedicated to get it liberated from foreign rule. The film is characterised as much by the patriotism and hero-worship that brought young men in hundreds to join their hero, as by its documentation of history. It is the film of a journey- ideological, political, historical and personal that uncovers almost by incidence than by connivance of history, a beautiful fictionalized documentation of one of the greatest national heroes Indian has ever produced.

Mera Naam Joker is certainly one of the most insightful, heart-warming commercial films made in India. This film shows Raj Kapoor's orientation towards world classics. The cinematography is Tarkovskyish, Raj Kapoor's performance draws heavily from Charlin Chaplin, while the ending reminds of Fellini's Otto e Mezzo. This is possibly the greatest semi auto-biographical film- portrays major part of a person's life. It is the Indian Citizen Kane! Where it stands different from Citizen Kane or Otto e mezzo is its inherent optimism, and its commercial value. Raj Kapoor is not hesitant to show small dances and partial melodrama, and the message is loud and clear- 'Life goes on'! The last story (meena) seems out of place initially in this long film, but starts making sense when it depicts Raju's loneliness correctly.

The scene that steals the show is where Raju's mother dies and yet Raju enters the ring dressed as a clown yelling for his mother, squirts water from his eyes, and starts playing his violin- a wonderful depiction of his showman spirit. This film has everything in place, and I can't help but call it- my favourite Raj Kapoor classic!

ust like, Bergman's Wild Strawberries, Kurosawa's Ikiru is a film about life. Constantly complex and thought-provoking, although simple at the same time; it tells a story about life's limits, how we perceive life and the fact that life is short and not to be wasted. Of all of films Kurosawa made, this is probably the one movie that works perfectly on an universal level, because at its core it is about one of the basic truths of life- death.

In its starch and unforgiving black-and-white form the movie records the time of one man's life in such a beautiful and yes, colorful way, that by the time the final moments of the film play out, it will be very hard for anybody not to be touched. The film details the existential struggle of one ordinary man in his desperate search for purpose.

Ikiru is a film that expresses itself in two separate parts. The first half is the exploration of a bitter man's death and the second half is an affirmation of life provided through the awareness of mortality, recalled by those whom he knew best.