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ekeby

may 2003 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos3

Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Explora los distintivos

Calificaciones672

Clasificación de ekeby
Conviviendo con la muerte
6.86
Conviviendo con la muerte
Yong jiu ju liu
6.47
Yong jiu ju liu
Solteros, pero...
6.97
Solteros, pero...
Salvaje
7.17
Salvaje
Departure
6.76
Departure
Benjamin
6.59
Benjamin
Indiscreet
6.78
Indiscreet
Un poco de música nocturna
5.47
Un poco de música nocturna
Word of Honor
8.49
Word of Honor
Señales de humo
7.28
Señales de humo
Sanjûsai made dôtei da to mahôtsukai ni nareru rashii
8.210
Sanjûsai made dôtei da to mahôtsukai ni nareru rashii
Los productores
7.510
Los productores
Gohatto
6.810
Gohatto
Loev
5.96
Loev
Kiss of the Rabbit God
7.38
Kiss of the Rabbit God
Pennies from Heaven
8.39
Pennies from Heaven
The Suitcase
9.710
The Suitcase
Daidaeng
7.98
Daidaeng
Cuando la mujer peca
4.52
Cuando la mujer peca
The Thing About Harry
6.96
The Thing About Harry
Enterprise
7.67
Enterprise
Huhwihaji anha
6.99
Huhwihaji anha
Sheng Shi
7.27
Sheng Shi
Jet Boy
7.17
Jet Boy
När alla vet
5.46
När alla vet

Wish list1

  • Takeshi Kitano, Tadanobu Asano, Ryûhei Matsuda, and Shinji Takeda in Gohatto (1999)
    movies about more than being gay
    • 40 títulos
    • Público
    • Modificado el 15 ene 2018

Reseñas149

Clasificación de ekeby
Departure

Departure

6.7
6
  • 16 ene 2024
  • Departure: Leaving the Picture

    Throughout the film people walk out of the frame. The characters depart the scene, or action, or interaction. They continually depart from personal and emotional interactions with each other.

    These repeated bits of business make for an interesting filmic concept. I'm not sure they necessarily make for an interesting film. The film might have been just as well called "Avoidance" because that's what's happening eighty percent of the time. In fact, it makes a somewhat dull film.

    The sexual tension between the son, Elliot, and the French boy, Clement is what really makes the film tolerable, particularly for us Gay guys. In truth the film only really comes alive when Phénix Brossard (Clement) is on the screen. He radiates hormonal maleness; it's hard to take your eyes off him. The rest of the time it's mostly mother and son tolerating each other. Politely, for the most part. They have a bad case of First World problems that doesn't make them particularly sympathetic.

    I want to like this movie, but I can't. I can't really criticize it either... what it's doing, it's doing well. Although when it fails-as it does in the fantasy sequences-I found it cringe making. But other than those few scenes, the movie is delivering its message on point. It's just that the message isn't all that interesting.
    Un poco de música nocturna

    Un poco de música nocturna

    5.4
    7
  • 28 nov 2021
  • Imagine it without the music... and it's good!

    I've seen innumerable productions of this musical, but somehow I was unaware of this film until just now. I came here to read reviews, most of which-as I predicted-were only to eager to blame The Big Movie Star for all the problems.

    IMO, Elizabeth Taylor brought something quite original to the role and her performance deserves applause. I found her rendition of Send In The Clowns incredibly moving. For those that complained she "spoke" the lyrics, well, I can only say I wish some of the other songs had been spoken as well.

    Frankly, I think the music just gets in the way of this film. Imagine if it had been played as a non-musical comedy. It would have worked fine, and in fact, probably improved without the constraint of musical actors. I understand perfectly what it is meant to be, I just think if you segregate the music from the story you get some insight into the quality of the movie. Which is pretty good when viewed from the perspective of 2021. It looks practically masterful compared to some of the musical films of more recent vintage.
    Sanjûsai made dôtei da to mahôtsukai ni nareru rashii

    Sanjûsai made dôtei da to mahôtsukai ni nareru rashii

    8.2
    10
  • 27 oct 2020
  • Sweet and Charming and Clever

    At this writing only three episodes have been released, but it's enough to see the quality of the production. It almost feels like a film, especially if you are used to Thai or Pinoy etc, BL series. This just feels more - well I want to say professional but that's not quite right-accomplished and thoughtful. From acting to cinematography to editing.

    It feels substantial, even though the plot is fantasy. The office / workaday setting somehow gives the series more gravitas than most BL fantasies. The characters seem real and genuine and we cannot help being drawn in emotionally.

    I realize It's a little irresponsible to write a review based on just three episodes of a 12 episode series. And I'll revisit this when the series finishes. But frankly, I couldn't wait to share my enthusiasm.

    Side note: it's not clear to me whether there is an official version with English subtitles. I've seen two differently translated versions of the same episode, and there was considerable difference between them. One was more succinct, the other more fleshed out. In BL land, it's kind of the wild west when it comes to bootlegged copies and subtitles. I hope that an official version becomes widely available soon.
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