joelmp

A must-see for anyone who likes jazz, or just musical history of the fifties and sixties. The interviews are a cut above, especially by Bennie Golson, Jimmy Heath, the incomparable Sonny Rollins, Coltrane's first daughter, and even, believe it or not, Bill Clinton. The music is superb, somehow finding the time to have excerts from Coltrane's most transcendent work -- Giant Steps, Naima, Alabama, My Favorite Things, All Blues and more. (Only one of my favorites is missing - Afro-Blue.) Intelligent, coherent -- a great introduction to Coltrane if you don't know him, and a wonderful appreciation for those of us who do. Even the animations are beautiful. The film got nit-picked by critics -- "not enough music", "too conventional", etc. But the film intelligently depicts the key moments in his life, sets it in the historical context of his times both musically and politically, all the while celebrating his genius. See it for yourself.

A sincere political horror film -- pretty much one of a kind -- that tries to highlight the tortuous past of Argentina's "missing" period. Unfortunately, the horror elements don't work too well, though there are some scares. The biggest fault is the protagonists acting even more implausibly than in your run of the mill Grade B horror flick. That said, the film effectively conjures the horror of the many disappeared in Argentina in that period. And I guess if you're making a film to condemn the torturers who ran Argentina at the time, having "Saw" like gruesomeness is understandable. The final shot of the film is truly haunting, but it's a long road getting there.