flywithmeraman

#paruparvathy When 26 crosses path with 62 we happened to see a beautiful and memorable journey. Marriage is integral part of our tradition. Not every marriage is a path of highway. When a dead end marriage and golden anniversary marriage run parallel in a driver and passenger seat, from windows we see beaches, sand castles, trails, hills, valleys, and eternal link to equivalent human emotions like happiness, anger, surprise, disappointment. The blend of nature and emotions is Truely tempting to put on riding gear and drive off to nowhere.

Visuals are splendid and involving for an adventurous soul. Emotions are pure and natural. The cherry on the topping is Fawaz's entry. Like an helicopter ride he comes, spikes up the already pumped adrenaline and leaves us a new zone called bro zone.

Coming to the leeway zone, 160mins seems little longer. Few redundant episodes could have been edited out without missing the continuity or relativity.

Three main cast left a lasting memory. Crew drew a definite bucket list of adventures to plan. Apart from Paru's family characters, the biking group, Payal's connections at destinations, the Goa cameo (HIRITKA, part of the production team), PREM, producer himself portraying for a 'portrayal' shows the inclusivity of cast and crew.

In a non-commercial movie, one can try to enhance knowledge, entice emotions, engrave a signature of his style of narration. Prem had succeeded in capturing audience attention with emotions.

Our born and brought up native places are an hillock of memories. We tend to share and revisit, revive, restore them once in a while with our friends. Director had succeeded again tapping the native emotional connection with this work.

Aravindsami and Kartik have all together enriched this attempt with different flavour to the nativity with their screen presence. Despite them encapsulating the majority of the screen presence, other roles have did their responsibility in an efficient manner. Not just human intervention, even the materialistic characters like cycle, chappal, gift box, clay tumblers for beer have propagated the true sense of nativity.

When the audience have a standard of 96 movie level work(no doubt he would poke 96reference in this movie too), the director carried the pressure to reach that, if not overcome it. Here he dared to take a different path of human emotions, but also was responsible enough to respect and convince the audience.

The spellbound, seat sticking narrative did get our guts churned up until the last scene. Hitler had given enough content for the desperate filmmakers around the world to attempt the vengeance once in their lifetime just by recreating his dictatorship.

Before even tapping on the play button, we know the ending. The onus to lock our senses onto the screen lies on the director's shoulder. And Tarantino did succeed in this attempt. The intricacies that knitted the scenes were too tempting to rerun the movie. His worth is his grit. Least of all, he doesn't need any certifications from anyone.

Even more than the movie, enjoyed browsing through the trivia. The cast simply added the lavishness to the narration. It's amply worked out cinematography does take us to the WWII era. The rest of the Tarantino's works, you can or can even give a miss for a starter. This is should be in our watchlist and rather climb up to the immediate list.