DrDarkness

But you know what? I'm glad it wasn't. There are a decent number of references to the game and familiar elements, but that's about it. I didn't have any expectations when I went to see this one, and maybe that's what saved me from disappointment. In the end, this is a solid teen scream, with some jump scares and psychological horror. The acting is as good as you'd wish from a movie of this genre, and even the sets, makeup, and CGI are decent. Grab yourself a bowl of popcorn plus your favorite blanket, turn off the lights, and enjoy the ride. Judging from the movie, there's a sequel coming up...

I'll just start by saying that, after seeing this, the original Beetlejuice will continue to be the one and only movie that exists for me. I will never re-watch this hot garbage again, and I'm really sad to call it that but I just can't find a more fitting description.

The reason why the first film worked was because of there was so little of the actual Beetlejuice. Yes, I can very well understand that everyone wanted more, but it just doesn't work. His character shouldn't be in the spotlight for too long, because... well, this movie answers that.

There was so much going on, seems like the team was just throwing ideas one night and when they asked "well, which ones should we include?" someone just replied "yes".

I mean, if the audience forgets who the main antagonist is when the the third act begins, I say something's done very, very wrong.

Baghead is a refreshing experience amid a sea of clichés. Although not many of the plot twists are particularly surprising, the overall viewing experience was far more entertaining than many recent films that have claimed to be the scariest.

Baghead might not come any closer to earning the title of the scariest film than those others, but what sets it apart is that it feels like it was made with love.

The film introduces us to Iris, who is living hand-to-mouth when she unexpectedly learns of her father's death. Having been estranged from him for years, Iris inherits a centuries-old pub from her father, with an unusual tenant residing in the cellar. It soon becomes clear that this creature has the ability to temporarily bring dead people back to life, as long as certain rules are followed. Struggling with financial difficulties, Iris sees an opportunity for quick earnings.

As a big fan of slow burns and atmosphere building, I tend to cringe at cheap jump scares. Fortunately, Baghead spares us just the right amount of those. While it can't quite be classified as a slow burn, given that the plot gets to the point rather swiftly, this turns out to be a good decision. It allows time to explore and explain the creature without making anything feel rushed.

This one is a solid 6/10.