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spewky

jul 2001 se unió
Te damos la bienvenida a nuevo perfil
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Clasificación de spewky

Sodomites

4.5
9
  • 12 feb 2006
  • An Interesting Little Short

    Conejos

    Conejos

    6.9
  • 5 sep 2004
  • We're Not Going Anywhere!

    A slow, stylish, eerie and extremely interesting story set "in a city deluged by constant rain where three rabbits live with a constant mystery". Mr Lynch has a great talent for establishing atmosphere and this series is soaked with his trademark (weird) mood. When I watched the first episode I was not sure whether to laugh or be baffled at what I was seeing. 3 Rabbits talk out of sequence, an unseen audience claps whenever one of them enters the room and laughs (not because something funny is said, but at the misery of the rabbits), a candle burns in the corner, a demon face chants something undecipherable (reminds me of the litanies of Satan, the camera seems to be disturbed in the beginning of the 7 out of 8 episodes by something I can only guess to be a spirit. We hear footsteps, the door sometimes opens and the phone even rings. All to the frustration of the rabbits. I noticed a lot of people have tried to figure out what Rabbits is about and my take on it is pretty simple. Firstly, this wasn't the first time I have seen something like this, though this is definitely very well made. I read a book a very long time ago whose title I cannot remember about 2 kids who were put in a scenario similar to this rabbit house and were observed everyday by their captures. The 2 children (I only remember one child called Mavis) were unaware they were being watched and as far as they knew, they had a normal life (went out, watched TV etc) except they didn't in real life. Everything was in their mind. This seems similar to this story. The rabbits could be 'prisoners' who are being observed or kept by someone (the man in the green suit). There is however how they react to the audience (whenever they enter the room and the audience claps, they wait until the applause is finished and continue to sit down) so they are aware they are being watched. According to their dialogue, it seems to me they were once human, "Jane- were you blond?" but it does seem like they remember or who they were. They refer to each other by human names, but they seem confused or disturbed by their situation, "I wish they'd go away", probably referring to the unseen audience. The last episode offers a good climax but not a conclusion. Or is it? Are the rabbits unable to figure out a way out of their misery...or is this their reality as it always has been? Like the book I read, the children never did escape their house, but they did figure out they were not living a 'normal' life. Lynch has never been one to offer a comfortable conclusion to his work- so I would not be surprised if this is the end for his rabbits.
    Gato negro, gato blanco

    Gato negro, gato blanco

    8.0
  • 2 jul 2004
  • Amazing Magic Realism Film

    A lot of people like to get into arguments and debates as to what the greatest film is...its hard to ever reach such a conclusion- if it is even possible- given that there are as many films as there are people, and it would be impossible to see them all. But then there are films that we watch and we know we have been changed forever. These are the films that we usually call our "top 10" or "top 100" and usually most of us will agree on specific titles, concluding that a particular film is truly a "GREAT" film.

    Black Cat White Cat is what I can call the Greatest film I have ever watched. It is of course quite a strong title to give a film, knowing such classics as Citizen Kane, The Godfather Part 1 and 2, I Am Cuba, 2001 A Space Odyssey, Seven Samurai or even Birth of a Nation have all at one time or another been given such a title by not just an individual...but by a panel of judges and critics from around the world. But there is something that this film has...a beauty, something absolutely magical and romantic...a fantasy that you only find in children's books, and yet it exists in this loud and clattered noisy film. How Emir Kustarica has done this is beyond my understanding. I first discovered Kustarica's films while living in England when one night I turned to ITV on a Thursday night and began watching The Time Of The Gypsies. I remember my mom really complained because it was 2am when the film started and we were going to Kent early the next morning but I told her I would go to sleep soon. Needless to say, the film was almost 3 hours long.. but it did prove to be a favorite of mine for a very long time...until I watched 2001 A Space Odyssey. So I battled in my mind...why do I enjoy these films more than the films others enjoy such as the Godfather? Why is my taste so different? I guess, different people enjoy different things, but we can all conclude a good smell, and evil and wicked mind...a soft breeze. What we cannot seem to agree on, is when a good film touches our hearts. The events that place in Black Cat White Cat are ridiculous and sometimes unreal. There is a scene where a band are playing while suspended on a tree...there is a dwarf girl whose single wish is to meet a tall dark handsome man, there is an arranged marriage, a dead grandfather...but what does it all mean or lead to? There are situations that are unbelievable and dreamlike, yet they are told in a very honest and sincere way that you believe them...unlike the films of David Lynch where you see something and its so mesmorizing you wonder.. "is that even possible?". This film however dazzles you with the thought of "what you just saw is real..because you just saw it". Its difficult to explain, but what you see in this film is a haunting, true, ridiculous and romantic situation that is beyond logic and yet so true to human nature. So is this my favorite film? I don't know. This film feels like part of my body. How am I supposed to say what is my favorite body part? How am I to choose my limbs over my heart? What I got out of this film is something I cannot even understand. I feel in love with film all over again. Maybe that was Mr. Kustarica's goal...to show us a romantic episode and hope it helps us reflect our own cluttered life. Or maybe he simply wanted to show a lifestyle of gypsies in Yugoslavia. I really don't mind not understanding the reason for his making this film because I like my confusion. I don't really care to know or not know, because I have concluded, that this is the greatest motion picture of our time.
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