marinos theodore
abr 2001 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos3
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas11
Clasificación de marinos theodore
Van Helshing could have been a great movie. Come to think of it, is had everything a movie needs to provide a fun couple of hours: vampires, women in sexy clothes (all hail Kate Beckinsale), vampire hunters and more women in sexy clothes who also happen to be vampires... So where did it all go wrong?
First of all the story is godawful and at times it feels like it was written by a 5 year old. First of all it is cliched to the point of stupidity a thing which is obvious right from the beginning since the movie starts with an angry mob carrying torches and pitchforks and heading to lynch Dr. Frankenstein. The first line we hear in the movie is the good doctor shouting "It's alive, it's alive, it's alive". Also In the same sequence Dracula uses the most used line in vampire films "you can't kill me, i'm already dead..." (note to writters: please stop using this line and its variations in everything about vampires, honestly, it's not even remotely funny anymore...) and of course Frankenstein is aided by Igor who (yeah you guessed it) is a midget with a hump on his back... The story also makes no sense at all: Dracula and his brides wants to release upon the world a horde of his offsprings (some gargoyle like small creatures) probably just for the fun of it since no reason as to why he wants to do it is given. To do that he needs to strap Frankenstein's monster in the machine that Dr. Frankestein used to give life to it. Van Helshing of course has to stop him and kill him before he or his minions (including a werewolf) kills Anna, Kate Beckinsale's character. Brace yourselves for the stupidest plot device yet: Van Helshing works for the Vatican and Anna's family has made an oath to kill Dracula or forever rot in Hell. After an expected turn of events Anna is the last of her family and because her family has helped in the Vatican's war against monsters they can't let the eternal damnation of her family happen so they send in Van Helshing... The titular monster hunter is probably one of the swallowest characters ever seen in cinema. He kills monsters because... well because he is told he has to do so by the Vatican since he suffers from amnesia (amnesia seems to love Hugh Jackman since this is the second character (Wolverine was the first) he plays in a major movie who is troubled by it). To make matters worse, the audience is never given an answer to the most crucial question of the movie: who, or rather what the Hell is Van Helshing anyway?
The script is also dreadful and at times makes absolutely no sense. For example, two of Dracula's brides corner Anna and even though they are hell
bent on killing her, they chat with her for five minutes... I can imagine the end of the dialogue: "Sooooooo and now that we've told you what Count Dracula is like in bed, we have to kill you. If that's ok with you, if not then we're obviously open to discussion..."
Then there's the acting... Acting is the movie's second big flaw. The only one of the major actors who manages to come out unscathed is Hugh Jackman. Kate Beckinsale and Richard Roxburgh (Dracula) are nothing but ridiculous with their very fake Romanian accents. Roxburgh's over-acting, especially in the first minutes of the film, along with some very bad dialog, render Dracula nothing short of a caricature, a thing that would be acceptable if the movie was presented as a parody, but unfortunately it isn't.
The film does have some good things going on for it. The amounts of action presented are huge and will satisfy even the hardest action junkie. The fact that the character's have no developement what so ever diminishes the amount of dialogue and raises the number of action scenes. In fact most sequences go a little like this: Van Helshing has an about one or two minutes long dialog with another character, usually with Anna, a monster attacks and an action scene ensues... So it never really gets boring. Most action sequences are good but some, like one involving six horses carrying a carriage and jumping in perfect unisson across a chasm, are plainly illogical and cause laughter.
The film's other high point is the way it looks. The cinematography is excellent especially an early vista of Paris with the Eiffel tower under construction in the background and Dracula's Ice Fortress do manage to create a dark atmosphere. The costumes are also very good. But what steals the show are the special effects. The CGI werewolves are very realistic even up-close and the sequences of vampires turning to bat creatures and humans turning into werewolves as well as the final Dracula and Van Helshing showdown are breath-taking. All in all, the film is excellent eye candy.
Van Helshing is a bad movie almost in every aspect. If you expect a dark and most of all serious movie about the famous vampire hunter then avoid it at all costs. The film is so campy that at times it feels like a Saturday morning Cartoon (Toonsylvania sprung in mind when i heard and saw Igor...) If you want to see some really cool action scenes and SFX and you don't care much about trivial things like say a good story and plot than don't miss it. By the way, a note to Steven Sommers: there's a reason why people don't make movies like the monster movies of the 30s, that's because they now seem campy and ridiculous... Some things belong in the past. And a closing note to Kate Beckinsale: whatever they pay you, never, NEVER play in a film without using your native accent! Believe me it's for your own good.]
So from me Van Helshing gets a very generous 5 out of ten.
First of all the story is godawful and at times it feels like it was written by a 5 year old. First of all it is cliched to the point of stupidity a thing which is obvious right from the beginning since the movie starts with an angry mob carrying torches and pitchforks and heading to lynch Dr. Frankenstein. The first line we hear in the movie is the good doctor shouting "It's alive, it's alive, it's alive". Also In the same sequence Dracula uses the most used line in vampire films "you can't kill me, i'm already dead..." (note to writters: please stop using this line and its variations in everything about vampires, honestly, it's not even remotely funny anymore...) and of course Frankenstein is aided by Igor who (yeah you guessed it) is a midget with a hump on his back... The story also makes no sense at all: Dracula and his brides wants to release upon the world a horde of his offsprings (some gargoyle like small creatures) probably just for the fun of it since no reason as to why he wants to do it is given. To do that he needs to strap Frankenstein's monster in the machine that Dr. Frankestein used to give life to it. Van Helshing of course has to stop him and kill him before he or his minions (including a werewolf) kills Anna, Kate Beckinsale's character. Brace yourselves for the stupidest plot device yet: Van Helshing works for the Vatican and Anna's family has made an oath to kill Dracula or forever rot in Hell. After an expected turn of events Anna is the last of her family and because her family has helped in the Vatican's war against monsters they can't let the eternal damnation of her family happen so they send in Van Helshing... The titular monster hunter is probably one of the swallowest characters ever seen in cinema. He kills monsters because... well because he is told he has to do so by the Vatican since he suffers from amnesia (amnesia seems to love Hugh Jackman since this is the second character (Wolverine was the first) he plays in a major movie who is troubled by it). To make matters worse, the audience is never given an answer to the most crucial question of the movie: who, or rather what the Hell is Van Helshing anyway?
The script is also dreadful and at times makes absolutely no sense. For example, two of Dracula's brides corner Anna and even though they are hell
bent on killing her, they chat with her for five minutes... I can imagine the end of the dialogue: "Sooooooo and now that we've told you what Count Dracula is like in bed, we have to kill you. If that's ok with you, if not then we're obviously open to discussion..."
Then there's the acting... Acting is the movie's second big flaw. The only one of the major actors who manages to come out unscathed is Hugh Jackman. Kate Beckinsale and Richard Roxburgh (Dracula) are nothing but ridiculous with their very fake Romanian accents. Roxburgh's over-acting, especially in the first minutes of the film, along with some very bad dialog, render Dracula nothing short of a caricature, a thing that would be acceptable if the movie was presented as a parody, but unfortunately it isn't.
The film does have some good things going on for it. The amounts of action presented are huge and will satisfy even the hardest action junkie. The fact that the character's have no developement what so ever diminishes the amount of dialogue and raises the number of action scenes. In fact most sequences go a little like this: Van Helshing has an about one or two minutes long dialog with another character, usually with Anna, a monster attacks and an action scene ensues... So it never really gets boring. Most action sequences are good but some, like one involving six horses carrying a carriage and jumping in perfect unisson across a chasm, are plainly illogical and cause laughter.
The film's other high point is the way it looks. The cinematography is excellent especially an early vista of Paris with the Eiffel tower under construction in the background and Dracula's Ice Fortress do manage to create a dark atmosphere. The costumes are also very good. But what steals the show are the special effects. The CGI werewolves are very realistic even up-close and the sequences of vampires turning to bat creatures and humans turning into werewolves as well as the final Dracula and Van Helshing showdown are breath-taking. All in all, the film is excellent eye candy.
Van Helshing is a bad movie almost in every aspect. If you expect a dark and most of all serious movie about the famous vampire hunter then avoid it at all costs. The film is so campy that at times it feels like a Saturday morning Cartoon (Toonsylvania sprung in mind when i heard and saw Igor...) If you want to see some really cool action scenes and SFX and you don't care much about trivial things like say a good story and plot than don't miss it. By the way, a note to Steven Sommers: there's a reason why people don't make movies like the monster movies of the 30s, that's because they now seem campy and ridiculous... Some things belong in the past. And a closing note to Kate Beckinsale: whatever they pay you, never, NEVER play in a film without using your native accent! Believe me it's for your own good.]
So from me Van Helshing gets a very generous 5 out of ten.
Kill Bill Volume 1 was my favorite 2003 film. It was one of the rare times i was laughing in a cinema not because the movie was funny (intentionally or unintentionally) but because i was enjoying mt self. It was the most fun time i' ve had in a cinema for a long-long time! After a six month wait period, the film's conclusion finally arrived. Did it leave up to my expectations? Yes it did, although in a totally different way.
Let's get on thing straight right from the start: Kill Bill Vol. 2 is entirely different to Vol. 1. It's almost like watching a completely different film.
First of all the action takes several steps back and character development steps forth. The Bride (whose real name is revealed but i won't spoil it for you) is almost an entirely different person this time around. She no longer is an unlikable super-bitch. She shows an incredible range of emotions from fear to sympathy and love and this time we really do CARE for her and her cause. Bill also gets some serious development. We learn about his relationship with the Bride and why he decided to kill her, and in the end we do feel some sympathy for him too. There also is a lot of Tarantino-esque dialog in this installment. Bill's take on Superman was one of the smartest things i've heard in a movie this year!
The action and humor although toned down, still play an important part in the movie. Volume 2 is more brutal than Volume 1, and even though it doesn't contain any scenes like the Crazy 88 massacre (who as we find out weren't really 88 LOL) it's very violent and graphic (no blood (gaizers this time). The duel with Elle is truly a thing to behold! But by far the best part of the movie is the chapter entitled "The Cruel Tutelage Of Pei Mei" where we witness the Bride's training by a realy old Kung-Fu master. Their duels and Pei Mei's lines are the movie's highlights!
Direction wise Tarantino works his magic once again. This time the film is more Spagheti-Western oriented and it almost entirelly takes place in a desert (in El Passo none the less...) and the soundtrack is full of songs by Robert Rodriguez and Ennio Moriconne. The usual Kung-Fu tricks (sudden close ups etc) still make their appearance as well as some really cool camera angles and tricks (the end of the opening sequence is a real tour de force for Quentin Tarantino). Kudos have to be given to Tarantino for creating the best and more nightmarish sequence of someone being buried alive, you'll be surprised by how uncomfortable he'll make you feel just by watching a black screen and hearing strange sounds. Credit is also due to Uma Thurman who did one hell of a nice job as the Bride (heck she deserves an Oscar for the last sequence of the film alone) and to David Carandine who was deliciously evil and enjoyable in the role of the eponymous villain.
I only have two gripes about the movie. Sometimes the story dragged on and there were some scenes that just took up time and stalled the story. The sequence where we see Budd working at the titi bar for example was very very long and it served absolutely no purpose. My other gripe is that the Bride's duel with Bill is really short, and out of balance compared to the huge amount of dialog between the two characters that preceeds it.
If Vol. 1 was all style and no substance, then Vol. 2 is all style and all substance. It's a different experience in many levels but it's still a very enjoyable one. If the reason you saw Volume 1 was because you liked the slick action scenes featured in the trailers, don't even bother watching Volume 2, you will be very disappointed. I rate this movie with a perfect 10. Simply put, alongside Big Fish (which debuted here in 2004), it's the best film i've seen this far in 2004.
Let's get on thing straight right from the start: Kill Bill Vol. 2 is entirely different to Vol. 1. It's almost like watching a completely different film.
First of all the action takes several steps back and character development steps forth. The Bride (whose real name is revealed but i won't spoil it for you) is almost an entirely different person this time around. She no longer is an unlikable super-bitch. She shows an incredible range of emotions from fear to sympathy and love and this time we really do CARE for her and her cause. Bill also gets some serious development. We learn about his relationship with the Bride and why he decided to kill her, and in the end we do feel some sympathy for him too. There also is a lot of Tarantino-esque dialog in this installment. Bill's take on Superman was one of the smartest things i've heard in a movie this year!
The action and humor although toned down, still play an important part in the movie. Volume 2 is more brutal than Volume 1, and even though it doesn't contain any scenes like the Crazy 88 massacre (who as we find out weren't really 88 LOL) it's very violent and graphic (no blood (gaizers this time). The duel with Elle is truly a thing to behold! But by far the best part of the movie is the chapter entitled "The Cruel Tutelage Of Pei Mei" where we witness the Bride's training by a realy old Kung-Fu master. Their duels and Pei Mei's lines are the movie's highlights!
Direction wise Tarantino works his magic once again. This time the film is more Spagheti-Western oriented and it almost entirelly takes place in a desert (in El Passo none the less...) and the soundtrack is full of songs by Robert Rodriguez and Ennio Moriconne. The usual Kung-Fu tricks (sudden close ups etc) still make their appearance as well as some really cool camera angles and tricks (the end of the opening sequence is a real tour de force for Quentin Tarantino). Kudos have to be given to Tarantino for creating the best and more nightmarish sequence of someone being buried alive, you'll be surprised by how uncomfortable he'll make you feel just by watching a black screen and hearing strange sounds. Credit is also due to Uma Thurman who did one hell of a nice job as the Bride (heck she deserves an Oscar for the last sequence of the film alone) and to David Carandine who was deliciously evil and enjoyable in the role of the eponymous villain.
I only have two gripes about the movie. Sometimes the story dragged on and there were some scenes that just took up time and stalled the story. The sequence where we see Budd working at the titi bar for example was very very long and it served absolutely no purpose. My other gripe is that the Bride's duel with Bill is really short, and out of balance compared to the huge amount of dialog between the two characters that preceeds it.
If Vol. 1 was all style and no substance, then Vol. 2 is all style and all substance. It's a different experience in many levels but it's still a very enjoyable one. If the reason you saw Volume 1 was because you liked the slick action scenes featured in the trailers, don't even bother watching Volume 2, you will be very disappointed. I rate this movie with a perfect 10. Simply put, alongside Big Fish (which debuted here in 2004), it's the best film i've seen this far in 2004.