shu-fen

I don't remember when I happened to start watching this. The first time I watched it online, my eyes were caught by the green, green countryside, very tempting and pleasing.

Yesterday evening, I just clicked into a certain episode uploaded on youtube, and found that this year it is carrying its 20th season. Amazing! And so, the countryside townsfolks continue to kill and people continue to die... And so...

And so, "Midsomer Murders" is truly a very good way to show the world the luxuriant green countryside of the UK. Yet, in the past 19+ seasons, in total, I mean the grand total, how many got killed? There are always multiple deaths in one episode. Huh, 2000? If yes, wow, 100 for a season. That's why the detectives are so busy.

Expressionless. Staring. Quietness. Motionless. Passion in the form of undercurrent. City scene. Human indifference. Hair infatuation/fetish. Sickness... I just recall the experimental movies of Europe.

Not much to say about the story yet on the treatment. I watched this one at the 3rd Turkish Film Festival in town. "Geriye Kalan" (What remains?) and this film were schedule to be on air on the same evening. In a very funny way, identical treatment of the plots comes up so interestingly from these two different movies: 1) stalking the competitor/ target of passion to trace their everyday routine, 2) steals their home keys, sneaks into to take action (maybe just seeing or messing a little), 3) kills the competitor (who blocks the way). As the coincidence is so surprisingly coincident within one same evening at the same cinema..., I start to wonder if it is a "general practice" of the Turkish people to stalk, steal and slit (throat) when a rival in love appears.

Çigdem Vitrinel is copying Tayfun Pirselimoglu? Or, that's the Turk DNA?

The blurb tells the depicted period ends in 1963 and I was a little disappointed because "Operation Atilla" 1974 which led to the tragic split of Cyprus is more interesting. If this film is a meal, I am just half full.

History and politics may be the mainstay, the more interesting is the responses of the villagers. They are reflections of human vulnerability under fear or threat. Both Greek and Turk Cypriots are actually living in perfect harmony: they eat, they date, they mate on the same island without any conflicts. After a politically unstable inkling emerges, the old (Anna, Veli) are imperturbable while the young impulsive, impatient.

Veli may appear to be naïve, indecisive, weak in fighting against the ruthless Greeks. Nevertheless, he has faith in people, just like Anna, she believes her neighbours, her friends' goodness. They are both for peace and that's the true nature of the Cypriots.

On the contrary, the inexperienced young hearts are easily incited. Ahmet voluntarily spies on the neighbours even though his mom keeps reminding him to be calm. His wish of displaying gallantry directly causes the death of an innocent Turk shepherd. The bullet from his uncle's pistol crosses the Rubicon, making the fissure even more irreparable.

If I were Ruhsar, I of course would also feel impatient in that uncertain situation. Her wish is pure and direct: getting back the lost father. And, with the divine blessings, the daughter-father reunion at the end is sweet. Yet, when looking back in the later day, she may/might find it unnecessary to sacrifice so many innocent lives for that.

Sinister lull with boiling agitation in the surroundings is a perfect culprit for the wake-up/birth of impatience which leads to a irremediably wrong step. Always, always, patience and sound judgment are products of time and heart.