finnalex
nov 2023 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos3
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas12
Clasificación de finnalex
Anngad Raaj is wonderful as the smart and sensitive Dhruv. Janki Bodiwala, reprising the role she played in Vash, is the most compelling performer. Bodiwala memorably conveys Jhanvi's anguish at obeying Vanraj's demented demands while trying to hold on to her true self. As Vanraj, the aptly cast R Madhavan is smug, sadistic and sinister in equal measure.
Shaitaan is that old, tired God-over-evil adage that has been revamped and rehashed in Hindi cinema for ages. This time, like most other times, it just does not land on the Devil's den.
Shaitaan is a passable affair if you are intrigued by psychological thrillers. Even though it manages to induce goosebumps, the slow build-up of the narrative can come across as a hiccup. However, impressive performances by Ajay Devgn, Jyotika, R Madhavan make it a watch worth once.
This movie had all the potential of being an excellent supernatural thriller. The first half is so-so, but it's the second half where the story becomes shoddy and a confusing mess. The climax leaves you with a bitter aftertaste, and you feel cheated as you don't get the desired and significant answers.
Shaitaan stands out as a riveting horror-thriller, headlined by stellar performances from Ajay Devgn, R Madhavan, Jyothika, and others. With its seamless blend of intense drama, supernatural elements, and occult intrigue, this film is sure to leave audiences spellbound till the very end.
Shaitaan is that old, tired God-over-evil adage that has been revamped and rehashed in Hindi cinema for ages. This time, like most other times, it just does not land on the Devil's den.
Shaitaan is a passable affair if you are intrigued by psychological thrillers. Even though it manages to induce goosebumps, the slow build-up of the narrative can come across as a hiccup. However, impressive performances by Ajay Devgn, Jyotika, R Madhavan make it a watch worth once.
This movie had all the potential of being an excellent supernatural thriller. The first half is so-so, but it's the second half where the story becomes shoddy and a confusing mess. The climax leaves you with a bitter aftertaste, and you feel cheated as you don't get the desired and significant answers.
Shaitaan stands out as a riveting horror-thriller, headlined by stellar performances from Ajay Devgn, R Madhavan, Jyothika, and others. With its seamless blend of intense drama, supernatural elements, and occult intrigue, this film is sure to leave audiences spellbound till the very end.
Laapataa Ladies is a small film with a big heart... One of those films you fall in love with... Right from the novel premise to the interesting sequence of events, stellar performances and superb finale, Laapataa Ladies deserves the HIGHEST PRAISE for its originality, honesty and sincerity... DON'T MISS IT!
Laapataa Ladies, starring Nitanshi Goel and Pratibha Ranta - is a charming feminist tale set in 2001's fictional Nirmal Pradesh is a smile-inducing, tear-jerking ode to the strength and struggles of women, leaving you hopeful for their triumphant journey. Director Kiran Rao crafts a grounded fairy tale with sweetness and simplicity, using humor as a not-so-secret weapon. Lapata Ladies made me smile it also made me tear up for the strength and the struggles of women everywhere.
A girl is never smart, she is over smart. A woman is not clever, she is cunning. Laapataa Ladies tramples these age-old narratives by stating loud and clear, "A 'respectable' girl is the biggest fraud in society', as it conditions her to not question the status quo. The story doesn't allow women to play the victim card either. It sternly says, "It's not shameful to be a fool but being proud of one's ignorance is a shame." A delectable blend of heart, mind, and humour, this one's an absolute winner.
Laapataa Ladies, starring Nitanshi Goel and Pratibha Ranta - is a charming feminist tale set in 2001's fictional Nirmal Pradesh is a smile-inducing, tear-jerking ode to the strength and struggles of women, leaving you hopeful for their triumphant journey. Director Kiran Rao crafts a grounded fairy tale with sweetness and simplicity, using humor as a not-so-secret weapon. Lapata Ladies made me smile it also made me tear up for the strength and the struggles of women everywhere.
A girl is never smart, she is over smart. A woman is not clever, she is cunning. Laapataa Ladies tramples these age-old narratives by stating loud and clear, "A 'respectable' girl is the biggest fraud in society', as it conditions her to not question the status quo. The story doesn't allow women to play the victim card either. It sternly says, "It's not shameful to be a fool but being proud of one's ignorance is a shame." A delectable blend of heart, mind, and humour, this one's an absolute winner.
"Guntur Kaaram" can be classified as a formulaic commercial family entertainer. While the film avoids gratuitous violence commonly found in today's big star movies, it suffers from outdated sequences and a lack of emotional depth. There is no humor either. The film largely hinges on Mahesh Babu's star power and his performance.
Even the climax makes no impact when leaving the theater. But despite all this, there is only one positive factor, and that is Mahesh with his free-flowing ease. The dialogues written for him work, even though intermittently. The mass song that comes in the second half is fantastic and raises the energy. Overall, Guntur Kaaram can be watched once with low expectations during the festive season, without expecting much originality, action, or emotions, other than Mahesh's energy.
Even the climax makes no impact when leaving the theater. But despite all this, there is only one positive factor, and that is Mahesh with his free-flowing ease. The dialogues written for him work, even though intermittently. The mass song that comes in the second half is fantastic and raises the energy. Overall, Guntur Kaaram can be watched once with low expectations during the festive season, without expecting much originality, action, or emotions, other than Mahesh's energy.
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