missmarmite
abr 2002 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Reseñas56
Clasificación de missmarmite
Go and see this film, next week, tomorrow, right now!
No matter how old you are or of what gender or what you think about both Til Schweiger or Dieter Hallervorden. Go and see this film. It's worth it. It will touch you, even if you're a tough guy. It will amaze you. It will make you silently cry into your tissue. Silently, because you don't want to miss out on the next joke. Yes, this film is drama and comedy and character study and at the same time not shy to do fart jokes. It's the best by and with Til Schweiger I've seen and I certainly don't fancy him. But he knows so well what he is doing and in this film he placed himself rather in the background.
Because the foreground is taken by Dieter Hallervorden, known for silly silly silly comedies in the 70s and 80s and delivering here a performance which is prizeworthy. And by Emma Schweiger, who is not only an actor's cute daughter dragged in front of the camera to make daddy happy, but she can act and very well so and carries with her eleven years one half of the film on her shoulders.
Go and see this film. And you, distributors out there in the world, make sure people around the world CAN actually see this film and bring it to lots and lots and lots of cinemas. Everywhere. North, south, east, west. Please. I never give ten out of ten, but this time there was no other choice. I couldn't give eleven out of ten.
See. This. Film!
No matter how old you are or of what gender or what you think about both Til Schweiger or Dieter Hallervorden. Go and see this film. It's worth it. It will touch you, even if you're a tough guy. It will amaze you. It will make you silently cry into your tissue. Silently, because you don't want to miss out on the next joke. Yes, this film is drama and comedy and character study and at the same time not shy to do fart jokes. It's the best by and with Til Schweiger I've seen and I certainly don't fancy him. But he knows so well what he is doing and in this film he placed himself rather in the background.
Because the foreground is taken by Dieter Hallervorden, known for silly silly silly comedies in the 70s and 80s and delivering here a performance which is prizeworthy. And by Emma Schweiger, who is not only an actor's cute daughter dragged in front of the camera to make daddy happy, but she can act and very well so and carries with her eleven years one half of the film on her shoulders.
Go and see this film. And you, distributors out there in the world, make sure people around the world CAN actually see this film and bring it to lots and lots and lots of cinemas. Everywhere. North, south, east, west. Please. I never give ten out of ten, but this time there was no other choice. I couldn't give eleven out of ten.
See. This. Film!
What a beautiful film! I've just seen it on youtube, it was uploaded yesterday, apparently I've been the second person to stay until the sixth and last part. I hope it stays there for a long time so people can find it and enjoy it as much as I did! Toni Collette and Ioan Gruffudd make an adorable couple, and although both the boy and the surroundings are just almost too quaint to be true (houses, streets, the home, the factory, the shop), the film never feels too unrealistic. Well, there are places like this in Britain and thankfully so. I loved the acting, especially of little Eli played by Maurice Cole, but also of aforementioned grown-ups and Richard E Grant, who I hadn't seen in years. Still as good as he always was. As it was mentioned before by someone, yes, two or three lines in the film were a tiny bit odd, but looking at the whole film they really don't matter.As a viewer you feel how much everybody enjoyed making this film and I certainly enjoyed watching it. I hope it soon will come out on DVD in Europe as well (not only in Australia!) so that more people can see it. Everybody involved in this film: Well done!
Ten people meet on June 21st to have a dinner together, two of them inviting the other ones. No one really wants to go or meet the others although they are friends, they all have enough to do with their problems and would like to spend the evening in a different way. But they go, they smile at each other, they have nice chats and everybody is laughing and having fun. Then they go home, knowing they will meet up all again next year and everything will be the same.
Not quite. Things have changed. Their relationships, their health, their self conscience. The code to open the door.
Like in many French films, people talk a lot. That's what the French love to do and they love to do it openly, in real life as in films. But although there's lots of talk about, none of the ten main characters (plus the eleventh one which is the father of two protagonists, who are sisters) will probably stay with the viewer a longer time. With so many characters around, it's difficult to create deeper insights. Sometimes you wish for more background information, but the story is set at two evenings and you can only put so much into the film if you don't want to make it three hours long. The end is left somewhat open, which is okay, leaves you with your own imagination of what will happen next.
Still, something is missing. I can't quite put my finger on it. I liked the actors, the dialogue is good and sometimes really funny, other scenes where a bit moody or more serious. That's life for you. But still... some ingredient was missing. It's a film you see and once it's digested, you probably will soon forget about it. And that is a pity. But I don't know what should have been different either. Any idea, anyone?
PS: The recipe in the credits was a nice touch, though. Have to check whether I can find it somewhere again...
Not quite. Things have changed. Their relationships, their health, their self conscience. The code to open the door.
Like in many French films, people talk a lot. That's what the French love to do and they love to do it openly, in real life as in films. But although there's lots of talk about, none of the ten main characters (plus the eleventh one which is the father of two protagonists, who are sisters) will probably stay with the viewer a longer time. With so many characters around, it's difficult to create deeper insights. Sometimes you wish for more background information, but the story is set at two evenings and you can only put so much into the film if you don't want to make it three hours long. The end is left somewhat open, which is okay, leaves you with your own imagination of what will happen next.
Still, something is missing. I can't quite put my finger on it. I liked the actors, the dialogue is good and sometimes really funny, other scenes where a bit moody or more serious. That's life for you. But still... some ingredient was missing. It's a film you see and once it's digested, you probably will soon forget about it. And that is a pity. But I don't know what should have been different either. Any idea, anyone?
PS: The recipe in the credits was a nice touch, though. Have to check whether I can find it somewhere again...