Chicken_Pillow
jul 2023 se unió
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Distintivos2
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Calificaciones1
Clasificación de Chicken_Pillow
Reseñas1
Clasificación de Chicken_Pillow
This movie feels like something I would have made with my friends when I was 10 years old. It is hilariously amateur despite being so unambitious like many other horror films with half the budget of 'You're Next'.
I don't know how this met the technical requirements to be shown in the cinema. The audio will leave your ears in terrible shape if you make it through the entire runtime as it is terribly recorded/mixed, constantly 'in the red' and peaking (which is probably damaging the theatre speakers) and makes dialogue unintelligible at many points.
The cinematography is uninspired, colour-grading inconsistent and often nauseating or completely lacking. Editing is poor and lazy which makes for overly long sequences and little polish and care in most of the scenes, resulting in many goofs and errors.
But, I was willing to forgive all of the technical turmoil and mishaps if there was just something interesting beneath all of this mess, especially as this is a South African made film with a relatively new director in the scene.
However, a Netflix budget and a competent crew could still not save this film. Predictable dialogue, poor performances (although the main actress Drew Baille was decent) and even worse story including cheap twists and turns lazily inserted which feels like it is trying to make up for the very hollow plot.
Unless you find entertainment in watching an all-round comically bad movie (as I admittedly do), be sure to hit 'next' and give this one a miss.
I don't know how this met the technical requirements to be shown in the cinema. The audio will leave your ears in terrible shape if you make it through the entire runtime as it is terribly recorded/mixed, constantly 'in the red' and peaking (which is probably damaging the theatre speakers) and makes dialogue unintelligible at many points.
The cinematography is uninspired, colour-grading inconsistent and often nauseating or completely lacking. Editing is poor and lazy which makes for overly long sequences and little polish and care in most of the scenes, resulting in many goofs and errors.
But, I was willing to forgive all of the technical turmoil and mishaps if there was just something interesting beneath all of this mess, especially as this is a South African made film with a relatively new director in the scene.
However, a Netflix budget and a competent crew could still not save this film. Predictable dialogue, poor performances (although the main actress Drew Baille was decent) and even worse story including cheap twists and turns lazily inserted which feels like it is trying to make up for the very hollow plot.
Unless you find entertainment in watching an all-round comically bad movie (as I admittedly do), be sure to hit 'next' and give this one a miss.