volcaniccustard-36914

Pretty much out the starting gate, it was clear - to me at least - that this was going to be an unpredictable ride to a climax where surely nothing was what it seemed. So far, so predictable for a manic trip on the cult status skyrocket. It was dark, twisted, and allegorical in a manner that teased those willing to try and figure it out. Stylistically, it was slightly derivative for this type of flick, but I think it was the right approach. And the clown character gave it a unique centre of gravity that set it apart. In a sub-genre that is overpopulated with slick, action-packed no-brain failures, this was a refreshing, wheel-screech of delight for those working within a limited budget. Well done.

For me, the first half of the movie was light, mildly intriguing soap opera fayre. Thankfully, it completely changed direction, for those seeking something a little "fresher" and challenging. I went into this with just the description given at the top of the IMDB page. I strongly suggest you do the same - the less you know the better. However, the ending will definitely split the audience depending on your sensibility. I actually made a single loud clap at the final "surprise", which I never do. But others may find my reaction "disappointing", to say the least. You have been warned !

The idea of two guys acting as paid exorcists that remove "skeletons from closets" is what attracted me to the movie. But I had no idea where it would take me. Yes - it was original - and yes, it was off-beat and armed to the teeth with dry wit. Which are the kind of movies that I generally enjoy. But at its heart was something much more soulful. The concept of profound loss, and how it can affect us. The characters were all perfectly cast, with a special mention for the Danish actress, Paprika Steen, who I have long admired. For me the star was Ed Gaughan who carried his finely nuanced portrayal exquisitely. Of near equal merit was the perfect relationship/banter between him and his co-worker, played by Andrew Buckley. It is a rare treat that such a quirky plot device can carry such a sensitive issue so deftly. Exceptional.