born2broadcast
dic 2001 se unió
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Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de born2broadcast
Norman's Mark: 4 stars `The Last Samurai' is best Hollywood epic since `Lawrence of
Arabia,' with battle sequences equal to the classics of cinema.
Yet, in its own focused and Zen way, this wonderful, admirable film
also brings the audience inside the smallest of life's moments
the curiosity of enemies, the slow-growing relationship between
the outsider and the tribe that has him as their captive, and the
quiet tensions at the dinner table. Tom Cruise, who simply gets better with each film, plays a drunk Civil War hero who finds redemption in Japan. He
is hired to create a modern army to fight the samurai, warriors who
are holding out for the old values and who battle rifles with swords.
The marvelously smart director, Ed Zwick, who gave us `Glory'
(the Civil War story that got Denzel Washington an Oscar),
understands how to put the audience inside battle scenes. We
see the dozens of stunning one-on-one fights in brilliant montages
with no overload or confusion. Zwick and his writers, which included John Logan, who wrote
`Gladiator,' brilliantly communicate the gradual change in Cruise,
who is captured by the samurai and who learns to admire their
way of life. After nearly 2 1/2 hours, I didn't want the film to end. I loved the
scenes that were filmed as if they were a cinematic poem to
ancient Japanese values. I reveled in the humor, humanity and
intelligence of `The Last Samurai.' In fact, the film was so good that, when it was over, I desperately
wanted to eat sushi.
Arabia,' with battle sequences equal to the classics of cinema.
Yet, in its own focused and Zen way, this wonderful, admirable film
also brings the audience inside the smallest of life's moments
the curiosity of enemies, the slow-growing relationship between
the outsider and the tribe that has him as their captive, and the
quiet tensions at the dinner table. Tom Cruise, who simply gets better with each film, plays a drunk Civil War hero who finds redemption in Japan. He
is hired to create a modern army to fight the samurai, warriors who
are holding out for the old values and who battle rifles with swords.
The marvelously smart director, Ed Zwick, who gave us `Glory'
(the Civil War story that got Denzel Washington an Oscar),
understands how to put the audience inside battle scenes. We
see the dozens of stunning one-on-one fights in brilliant montages
with no overload or confusion. Zwick and his writers, which included John Logan, who wrote
`Gladiator,' brilliantly communicate the gradual change in Cruise,
who is captured by the samurai and who learns to admire their
way of life. After nearly 2 1/2 hours, I didn't want the film to end. I loved the
scenes that were filmed as if they were a cinematic poem to
ancient Japanese values. I reveled in the humor, humanity and
intelligence of `The Last Samurai.' In fact, the film was so good that, when it was over, I desperately
wanted to eat sushi.
Norman's Mark: 3 stars
`The Cooler' stars William H. Macy as a man so unlucky that he
brings snake eyes to casino patrons on winning streaks by just
standing next to them. Let us sing the praises of Macy, an actor who holds the patent on
the portrayal of whining, downtrodden guys with repressed anger
who have been overlooked by the world since birth (see Macy's
outstanding performance in `Fargo'). Macy has the sad eyes of a misunderstood Bassett hound, the
hesitant approach of a loser and the ability to communicate infinite
pain and loneliness in long suffering silence. He is one of our
best actors. And he is in top form in `The Cooler,' although Maria Bello as the
cocktail-waitress/love interest does a fine job exploring the female
side of similar psychological territory. An excellent production is marred by one completely unnecessary
sex shot involving Bello's hand and Macy's genitals. By the way,
Macy the New York Times, `it's the first real, rootin'-too-tin' sex
scene that I've done. Why do they wait until I'm 50 years old to ask
me to take my clothes off?' Alec Baldwin plays the tough casino owner who wants to do things
the old fashioned way. Despite his excellent portrayal, I didn't
quite buy the theme of protecting the so-called ancient Las Vegas
`heritage' against the new fangled, family-centered, G-rated ways
the town now operates. In the end, I accepted `The Cooler' as a fairy tale about lonely
people finding love amid nudity and knee cracking. With that, I
could enjoy Macy's amazing, Oscar-worthy performance.
`The Cooler' stars William H. Macy as a man so unlucky that he
brings snake eyes to casino patrons on winning streaks by just
standing next to them. Let us sing the praises of Macy, an actor who holds the patent on
the portrayal of whining, downtrodden guys with repressed anger
who have been overlooked by the world since birth (see Macy's
outstanding performance in `Fargo'). Macy has the sad eyes of a misunderstood Bassett hound, the
hesitant approach of a loser and the ability to communicate infinite
pain and loneliness in long suffering silence. He is one of our
best actors. And he is in top form in `The Cooler,' although Maria Bello as the
cocktail-waitress/love interest does a fine job exploring the female
side of similar psychological territory. An excellent production is marred by one completely unnecessary
sex shot involving Bello's hand and Macy's genitals. By the way,
Macy the New York Times, `it's the first real, rootin'-too-tin' sex
scene that I've done. Why do they wait until I'm 50 years old to ask
me to take my clothes off?' Alec Baldwin plays the tough casino owner who wants to do things
the old fashioned way. Despite his excellent portrayal, I didn't
quite buy the theme of protecting the so-called ancient Las Vegas
`heritage' against the new fangled, family-centered, G-rated ways
the town now operates. In the end, I accepted `The Cooler' as a fairy tale about lonely
people finding love amid nudity and knee cracking. With that, I
could enjoy Macy's amazing, Oscar-worthy performance.
The sleeper of the year, perhaps the decade, "Now and Forever," which won t he audience award at the Festival of Festivals in Cathedral City, CA., is a movie waiting to be discovered. A story of cross-cultural love, prejudice and eternal commitment, the film was expertly directed by Bob Clark ("A Christmas Story"). He kept things simple, involving and on track every minute. Casting: perfect. Location: marvelous. Emotional pull of the story: overwhelming, flawlessly combining elements of "Romeo and Juliet," "The Sixth Sense" and "Ghost" to keep the audience constantly involved in the drama. And the ending is a total surprise. When I saw it, people of all ages loved this film and demanded to know when they could see it again. And that is another story: Bob Clark is literally betting the ranch, putting up his own money to distribute the film himself to prove to major studios that a film which has his total support is also a viable commercial product. A film that demands to be seen. Four stars.