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Wanting to continue milking the cash cow, Harmony Gold decided to make a sequel. This instalment in the "Robotech epic" was essentially a patchwork of specifically made footage (done by a Korean studio under Tatsunoko's supervision) and existing animation. The character designs were based on those of Macross, as the main characters were Rick Hunter, Lisa Hayes, Max Sterling, Breetai, Miriya etc. Did I say "based"? These new designs were americanised, looking like the worst moments of Hanna-Barbera. The uniforms were, to put it bluntly, disturbing. The storyline was even worse than that of the initial Robotech. The voice acting was as bad as you can imagine - don't forget it's a Harmony Gold production after all - and, of course, Reba West kept torturing our ears with her "singing". That the direction makes Ed Wood seem like Francis Ford Coppola goes without saying.

Only three episodes were finished. They fared poorly, ratings-wise, so the main financer, Matchbox (the toy and model manufacturer that now is a part of the Revell/Monogram consortium) bailed out. Tatsunoko did too. So, without funding and with appalling ratings, Robotech II: The Sentinels died the early death it deserved. Even Robotech fans find it an atrocity. If Robotech is a waste of time, Robotech II: The Sentinels is a waste of shelf space in video stores.

Look elsewhere and don't buy the hype of Harmony Gold, which desperately tries to revive interest in its pathetic products, in an attempt to cash in on the worldwide resurgence of interest in Macross.

Macross... The original.

Originally intended to be just a parody of Gundam, it evolved into becoming an entity of its own, with a compelling storyline and a deeply anti-war message.

Genre-defining character designs by Haruhiko Mikimoto, excellent space craft and mecha designs by Shoji Kawamori and Kazutaka Miyatake and great directing work by Noboru Ishiguro were the first part of Macross' enormous success. Shoji Kawamori's VF-1 Valkyrie is one of the most easily identified anime mecha ever and for good reason: I've yet to see one that can match its sleek, yet strong and purposeful lines. It looks like it's ready to take off and go on a war, whereas other mecha often look like gimmicks.

The characters seemed to actually live and breathe, developing their personalities through the ordeal of their perversely unequal war against the Zentradi, the loss of friends, loved ones, the senseless suffering and carnage that war is, their change of heart over time...

And all this enhanced by the very fine voice acting of Arihiro Hase, Mari Iijima, Mika Doi, Akira Kamiya, Michio Hazama, Noriko Ohara and other distinguished Japanese voice actors and actresses, who conveyed the dialogue in a manner forceful, economical, emotionally wealthy and mature.

Add to this Mari Iijima's excellent voice and performance on each and every one of Lynn Minmay's songs - even the songs seem to evolve as Minmay grows: from the childish and girlie-love pop of "Zero-G Love" and "Watashi No Kare Wa Pairotto" ("My Boyfriend Is A Pilot") to the beautiful, softly-sung and emotionally overwhelming anti-war "Ai Wa Nagareru" ("Love Drifts Away"), which was performed during the Macross' battle against Gorg Bodolzaa's armada, the equally powerful elegy "My Beautiful Place" or the series' last song, "Yasashisa Sayonara" (Farewell Tenderness"). And the rest of Macross' soundtrack is a wonderful merger of a symphonic orchestra with rock, jazz and even blues influences.

Macross is a sad story; it is not quite an epic, although it features battle after battle. It's an anti-war story - it brings forth a message to everyone, a message stating that the works of peace and culture are immensely superior to the cruel barbarity of war.

Sadly, in the haste to produce the episodes fast enough, a number of episodes was farmed out to a Korean studio named Anime Friend, whose work was sub-par and introduced a fair number of animation errors. Despite this, Macross still is a shining gem and deservedly enjoys a strong following in Japan and internationally, even now, 20 years on.

Unfortunately for the Western world, in 1985, an American company named Harmony Gold and someone named Carl Macek combined Macross with two other anime series (Super Dimension Cavalry Southern Cross and Genesis Pit Climber M.O.S.P.E.A.D.A.), dumbing down the dialogues, to which they added even more (to the point where you wondered if the characters ever stop talking), replacing the meticulous use of silence with excessive narration with someone who sounds like a sportscaster on steroids, the cohesive storyline with a mangled patchwork, the artful voice acting with over-the-top "performances" by third-rate "actors", the lovely soundtrack with generic synth stuff, Mari Iijima's wonderful songs with outrageous "creations" "performed" by the Reba West (Rebecca Forstadt), who is more annoying than a car alarm. The worst display of Harmony Gold's inability to comprehend ANYTHING that Macross stands for is the replacement of "Ai Wa Nagareru" with the jingoistic attempt at anthem-writing titled "We Will Win".

I remember in the early '80s, when we had only two TV stations, both state-run, that there was a great publicity for a Japanese animated series with a lot of episodes, which would be dubbed in Greek and even the title song would be translated. My memory doesn't serve me too well, as I have forgotten the actors and actresses and the singer of the Greek version, but it caused quite a stir.

Compared to other cartoon/anime dubs I've seen, the voice acting was superb and I occasionally see some episodes running on regional channels. It's always very enjoyable, I must say. The anime style of that era happens to be my favorite: detailed, beautiful, hand-drawn landscapes, rather realistic character designs, without the featureless faces seen in modern productions...

It marked my youth. Although many people would say it was a girlie show, lots of boys watched it. Even now, as an adult, I can watch it and get pleasure from it.

Those were the days... Really great anime and cartoon shows, with well-written scenarios and complex character descriptions.