JMconnell
nov 2001 se unió
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Distintivos2
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Reseñas10
Clasificación de JMconnell
I've seen a lot of offensive films in my time, from Cannibal Holocaust to A Siberian Film, but this one is easily the most tasteless, offensive, unpleasant films I have ever seen. Yet somehow it is also riveting, like watching a car crash unfold in slow motion. Several times I was on the verge of turning it off in sheer disgust, but found myself holding off, just to see how much more depraved it could get.
The "plot", such as it is, concerns a pair of time-travelling reporters from Italy going back to the south of the USA during the heyday of slavery, to conduct a "inquest" into slavery. Presenting itself as a condemnation of slavery, it instead revels in the unpleasantness, delivering atrocity upon atrocity with a smirk on it's face. The horror inflicted on the slaves in Django Unchained pales in comparison to the never-ending parade of unpleasantries served up here. I suppose it does present a view of what slaves went through at the time, but it's hard to feel that they are condemning the acts when all the slaves are presented as little more than dumb animals.
Amongst the dubious "delights" on offer are rape, castration, paedophilia and the truly horrible scene where the poor reporter is "seduced" by a 13 year old black prostitute. It's made so much worse as everything is presented as though we are seeing it through their eyes.
It's certainly unforgettable, and if you're not easily offended or squeamish, it's worth watching once, even if it's just to see how low Italian exploitation cinema managed to stoop. You might need a good shower afterwards, however.
Rating: 7/10 just for the sheer gall of the film.
The "plot", such as it is, concerns a pair of time-travelling reporters from Italy going back to the south of the USA during the heyday of slavery, to conduct a "inquest" into slavery. Presenting itself as a condemnation of slavery, it instead revels in the unpleasantness, delivering atrocity upon atrocity with a smirk on it's face. The horror inflicted on the slaves in Django Unchained pales in comparison to the never-ending parade of unpleasantries served up here. I suppose it does present a view of what slaves went through at the time, but it's hard to feel that they are condemning the acts when all the slaves are presented as little more than dumb animals.
Amongst the dubious "delights" on offer are rape, castration, paedophilia and the truly horrible scene where the poor reporter is "seduced" by a 13 year old black prostitute. It's made so much worse as everything is presented as though we are seeing it through their eyes.
It's certainly unforgettable, and if you're not easily offended or squeamish, it's worth watching once, even if it's just to see how low Italian exploitation cinema managed to stoop. You might need a good shower afterwards, however.
Rating: 7/10 just for the sheer gall of the film.
From the very beginning, TrashHouse makes it obvious what kind of a film you're about to watch. Snappy, funny dialogue and violence, all before the opening credits.
The plot is quite original, revolving around five people, apparently the most balanced people in the UK, invited to a house to take part in an experiment. They will have a chip fitted that gives them the power to create anything they can imagine, between the hours of 7.30 am and 10.00 pm. The catch? Someone isn't who they claim to be, and things are about to take a turn for the dangerous.
A fantastic debut from Pat Higgins. The dialogue is well written, and the ideas presented in the script are fantastic. There's plenty of the red stuff for gore hounds, a few naked ladies, and some great music. The only letdown is that some of the CGI effects are rather poor, but that's obviously down to the low budget nature of the movie. The performances are all very good.
I really hope someone gives Pat Higgins a decent budget for his next film.
8/10
The plot is quite original, revolving around five people, apparently the most balanced people in the UK, invited to a house to take part in an experiment. They will have a chip fitted that gives them the power to create anything they can imagine, between the hours of 7.30 am and 10.00 pm. The catch? Someone isn't who they claim to be, and things are about to take a turn for the dangerous.
A fantastic debut from Pat Higgins. The dialogue is well written, and the ideas presented in the script are fantastic. There's plenty of the red stuff for gore hounds, a few naked ladies, and some great music. The only letdown is that some of the CGI effects are rather poor, but that's obviously down to the low budget nature of the movie. The performances are all very good.
I really hope someone gives Pat Higgins a decent budget for his next film.
8/10
