Scottfeinberg
nov 2001 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos4
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas8
Clasificación de Scottfeinberg
As someone who considers himself a film scholar and fan, I have seen many of the great movies of all time during my lifetime. I have NEVER seen anything quite like Dogville, which redefines the rules of filmmaking, right from the very stunning fact that it doesn't feature real sets, but just chalked in and imagined boundaries. It also features a brilliant, thought-provoking storyline made possible through some of the finest performances from some of the premiere actors and actresses working. Set aside any controversy you may have heard about director Lars von Trier's alleged anti-American undertones. Also, be prepared for the long haul- the movie runs close to three hours. But Nicole Kidman, who gets better with every role, and her fantastic supporting cast, led by Paul Bettany and Lauren Bacall, make this one of the more rewarding and refreshing movies you will ever see. I can't say enough about it, and I strongly encourage you to see it if you can!
To me, "Chicago" is, to a degree, the modern day "Casablanca" in terms of how it beat the odds of a strange production to become a fan favorite and Best Picture winner. Marshall came from Broadway to work under the Steinbrenner of the industry, Harvey Weinstein, and not only didn't crumble, but thrived. Reports are that he did come close to a breakdown on the set after working unbelievable hours, but he never once lost the respect of the multiple established stars who also put their careers on the line to try to beat thirty-five years of odds and make an award-winning musical. Zeta-Jones, who may very well be the highlight of the movie, is one of the most beautiful women that Hollywood has ever known, and she brought her childhood talent of singing and dancing to the national stage for the first time in this production. But it was her co-stars, Zellweger, Gere, and Reilly, who had no musical background, who most impress--if for no other reason than because you would never guess they were new at it had it not been broadcast so often in praise. Though producer Martin Richards often did when Chicago was picking up award after award, I will not forget to compliment the long-talented singer Queen Latifah, who stepped into the medium of acting full-force in a fine role, picked up an Oscar nod, and kickstarted what promises to be a solid, comedic second career. All in all, the movie succeeded in appealing to a broad spectrum of viewers of all ages, sexes, races, and backgrounds: As a young male, I was not supposed to go to or enjoy a movie like "Chicago," but those of us who did came away very pleased with our investment. *****(A+)