podwilliams
nov 2001 se unió
Te damos la bienvenida a nuevo perfil
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Oh-oh, the pilot's dead... So who's going to fly the plane home? Yes it's another variation on the old Airport theme, with a cast of TV movie stars looking either very panicky or firm-jawed in the face of disaster. I'm watching this as I type. It's so deliciously bad I can barely keep my eyes off it! The script is so bad it deserves some kind of award. Kate Jackson comes to the aid of a pregnant woman who wonders if her belt is too tight - never fear, Kate undoes the belt for her! Hurrah! Furthermore, unable to communicate with the pilots or access the cockpit Kate wonders aloud who's flying the plane. Very moving stuff. Tell your friends that they must hunt this film down. It's transcendentally boring!
I turned 18 in 1987 - and what a year it was!! Cry Freedom, Raising Arizona, Matewan, Tampopo, Radio Days, Broadcast News, The Last Emperor, Empire Of The Sun, Full Metal Jacket, Au Revoir Les Enfants, Babette's Feast, Moonstruck, Pelle The Conqueror, Wings Of Desire.... (and in dear old Blighty)... Withnail And I, Wish You Were Here, Prick Up Your Ears, Blackadder The Third, Hope And Glory, Maurice, A Month In The Country, Personal Services, Porterhouse Blue and...... Will You Love Me Tomorrow.
Following hot on the heels of No Surrender (1985), Edge of Darknes (1985), The Good Father (1985) and The Singing Detective (1986) Whalley, who was a notable figure in the U.K.'s little 80s golden age, was at her very best in this touching, moving drama.
Following hot on the heels of No Surrender (1985), Edge of Darknes (1985), The Good Father (1985) and The Singing Detective (1986) Whalley, who was a notable figure in the U.K.'s little 80s golden age, was at her very best in this touching, moving drama.
Like so many other films made in Eastern Europe in the 60s and 70s, I've longed to see this gem again. Once upon a time, back in the 80s, the UK's Channel 4 used to show all kinds of weird and wonderful films into the early hours, introducing this teenager (now 36) to a new and exciting world of international cinema.
This Czech classic (banned when Dubcek's regime was toppled in '69) concerns Ludvik, a top bureaucrat, and his wife, Anna, coming home one night from a reception to find their home has been bugged (during a period of political purging). The paranoia and sleepless night sets Lunvik and Aanna against each other, and the film finally shows what it took to 'get head' in a Stalinist regime.
This Czech classic (banned when Dubcek's regime was toppled in '69) concerns Ludvik, a top bureaucrat, and his wife, Anna, coming home one night from a reception to find their home has been bugged (during a period of political purging). The paranoia and sleepless night sets Lunvik and Aanna against each other, and the film finally shows what it took to 'get head' in a Stalinist regime.
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