Carson-15

The 1957 version of this series is the Holy Grail of episodic television, with actor James Garner and writer Roy Huggins creating an unforgettable character. This noble attempt at a revival falls far short of the original, but then so does practically everything else, so perhaps in fairness it should be judged on its own terms. The problem is with the scripts, starting with the poorly paced pilot, an hour's worth of script padded to two hours and resorting to a sequence featuring an Indian guide tediously and endlessly leading Garner around in circles in the desert. This scene is trimmed to good effect for the current version making the rounds as a TV-movie. A gambling sequence earlier on misses a boat by not focusing on the other players at all. The Dandy Jim Buckley character with Efrem Zimbalist, Jr. would have been ideal to have been revived for these scenes had that been possible. Some of the celebrities of the day incorporated into various episodes are weirdly the wrong age, with such eye-opening curiosities as an elderly Doc Holiday, and Theodore Roosevelt presented as a spherical figure of comic relief at a point when he would actually have been a wiry young rancher venturing west to recover from the double deaths of his young wife and mother. The worst aspect of the show, though, is the premise of Maverick settling down in one spot, when nonstop drifting is such a signature part of his identity. One of the scripts in particular is embarrassingly bad while some of the others are quite good, and Garner himself is always a vast entertainment to watch, particularly in his best role. Another revival, this time as a one-shot TV movie, should be in the offing while Garner is still around to play the part. Jack Kelly, who played his brother Bart in both series, is dead now, and it would be a shame to miss the opportunity to check in on Maverick at a more advanced age. "Bret Maverick" is a good series on its own merit, but not as good as Garner's other three major series, "Nichols," "The Rockford Files," or especially the original "Maverick," which remains the gold standard in the annals of both Garner and series television. This series stands as a footnote to the original and an intriguing curio. NBC obviously jumped the gun by cancelling it too soon.

James Garner's acting on 1957's TV series "Maverick" is superbly inspired but usually underrated because he memorably told the press at the time that he "can't act. I'll learn if I have to, but so far I haven't had to." This modest refusal to champion himself publicly resulted in his performances being taken much more for granted, but viewed today, it's apparent that here was a world-class talent throwing himself into every scene, registering a virtual three-ring circus of facial expressions; there is always something going on to look at, in severe contrast to most of the other TV western leads of the era. Jack Kelly, normally a more pedestrian performer, lights up to incandescence in his scenes with Garner and their astonishing chemistry vaults the series' fantastic entertainment value phenomenally, although Kelly's solo outings aren't in the same league and his acting seemed to deteriorate along with the quality of some of the scripts in the wake of Garner's departure. Kelly was completely and utterly lacking Garner's genius for comedy, except when working directly with Garner.

I always thought of Garner's character's warmth as being his hallmark trait, perhaps as a result of years of seeing "The Rockford Files," but upon recently studying the "Maverick" tapes it became apparent that his character was basically cool and chilly, almost businesslike with an Indiana Jones-like seriousness in his routine comportment, but quite warm with friends. This surprised me. When people refer to Bret Maverick as "cool," they're actually much more correct than I ever would've assumed.