diazr
feb 1999 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas2
Clasificación de diazr
While not a great social commentary, the playful portrayal of tension between the 4 protagonists makes it fun to watch. Andrea is purposefully like many other Italian young adults, living the fact of unemployment and getting no where even when he tries; his chance (too forced?) meeting with Dolores is a distraction and test of his commitment to growing up. His room mate and other friends also help drag him down. Can he break out?
It's also refreshing to find the true-to-life non resolution of relationships; it's use of language is also street real.
It's also refreshing to find the true-to-life non resolution of relationships; it's use of language is also street real.
This film also follows in the tradition of Los Olvidados and Rodrigo D. in that it attempts to link the audience to the point of view of poor urban youth. It succeeds in creating sympathy for the characters but it makes the mistake of looking for looking for more.
The omnicent point of view is intermingled with characters' daydreams and nightdreams and thus it's hard to get a consistent message across; as an audience I ended up unsure of the depth of each character and whether I was to find them believable; I found myself not liking the ending because it was too conclusive.
The omnicent point of view is intermingled with characters' daydreams and nightdreams and thus it's hard to get a consistent message across; as an audience I ended up unsure of the depth of each character and whether I was to find them believable; I found myself not liking the ending because it was too conclusive.