Nylar
jun 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas9
Clasificación de Nylar
I feel as if I should have an IMDB comment on record for my favorite film of all time... Kane's place at the top of the AFI list is completely deserved. The film is central to cinema history, influencing every major filmmaker from Godard to Scorsese. There's nothing I can say that hasn't already been said. Long live Kane.
I am a huge Soderbergh fan. "sex, lies, and videotape," "Schizopolis," "Kafka," and "Out of Sight" are, in my mind, all terrific films. But after anticipating "The Limey" for months, I find myself disappointed. Soderbergh's directorial style is on full display, and the acting is impressive, but the film's plot never really manages to engage me. Many of the stylistic choices (chopped up narrative structure, multiple perspectives) are quite admirable, but at the end, I feel as if I've just watched the director tinker for 90 minutes. The clips of a young Terence Stamp in "Poor Cow" are utilized wonderfully.
After seeing L'Humanite at the Edinburgh festival, it's difficult to imagine it winning the Cannes Grand Jury Prize as well as the best actor and actress awards. The film is an unquestionably beautiful but otherwise unremarkable example of French cinema. Call me a stuffy American, but I found the opening sequence of the rape victim's damaged body to be completely unnecessary. The film's title is the most pretentious in recent memory.