oliverio-p
nov 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas10
Clasificación de oliverio-p
As a geometry teacher, I am anxious to use TOUCH OF EVIL in my
classroom. Triangles of light are set against planes of darkness.
Camera angles alter composition and comment and character.
Every actor is a polygon and there is an oleagineous octagon
named Hank Quinlin who is the mud that holds all things together.
The only pretty polygon draws, like flies, the leather chalk dust from
the binary set. American police efficiency (which some might call corruption) VS
grande Mexican slime with a face of righteousness brownchalked
onto Captain Vargas. I cannot equate Orson Welles without using words like brilliant,
visionary, stark-raving mad genius. QED
classroom. Triangles of light are set against planes of darkness.
Camera angles alter composition and comment and character.
Every actor is a polygon and there is an oleagineous octagon
named Hank Quinlin who is the mud that holds all things together.
The only pretty polygon draws, like flies, the leather chalk dust from
the binary set. American police efficiency (which some might call corruption) VS
grande Mexican slime with a face of righteousness brownchalked
onto Captain Vargas. I cannot equate Orson Welles without using words like brilliant,
visionary, stark-raving mad genius. QED
I was convinced that there was no actor on stage in this brilliant production which basically recalls the man who invented stand-up comedy when he wasn't writing classic novels. That was MARK TWAIN on stage with sage words such as "Truth is our most valuable commodity. So we economize it." I woulda bet money that it wasn't Hal Holbrook but the genuine article of the former Samuel Clemens, pacing and puffing on his cigar with smoke rings to enshroud wisdom with humor. God made man because he was disappointed with the monkey. My only objection to that line is that I personally did not create it! What Louis Armstrong is to every trumpeter so be Mark Twain to anyone who ever tried to be funny or literary. MTT was ninety minutes long and if it had been nine hundred minutes of Twain-alia, my interest would never have flagged. Has any other country ever produced a more valuable commodity than Mark Twain? The genius of Hal Holbrook was that what he said was so impacted with wit that you never thought of the voice as coming from an actor.
When a movie features stain-glass windows created by obscure
math formulae, madness cannot be very far behind. Russell Crowe gets there and far beyond. When numbers speak in a language that only John Nash can
hear, hallucinations become the norm. Then along comes a
student with ruby red lips and she is no complex number. This
variable called love is distributed through the equation and across
the ages as Professor Nash smashes through the function of
Reality.
math formulae, madness cannot be very far behind. Russell Crowe gets there and far beyond. When numbers speak in a language that only John Nash can
hear, hallucinations become the norm. Then along comes a
student with ruby red lips and she is no complex number. This
variable called love is distributed through the equation and across
the ages as Professor Nash smashes through the function of
Reality.