hugoconductshugo
oct 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de hugoconductshugo
The music transforms this entire movie from camp to something approaching the sublime. "Frankenstein's Theme", which is looped over and over the Criterion menu, is so Godd*mn haunting that I spent weeks tracking it down over the internet and listen to it incessantly. The music is the perfect complement to the retro-Hammer production design and costumes. It's so heartbreakingly mournful that it casts a spell over the whole movie, manufacturing pathos for the shots of the children watching the Doctor (their father) and creating a sense of inevitable doom over the whole film. Brilliant! See the movie and hear it.
I'm a big fan of the director's but had never seen this one until the other day (the VHS re-release "director's cut" or whatever). The other user comments had let me to expect an amateurish curiosity, but I found it polished and feel no need to make any excuses for it (perhaps the new release is a cleaner print).
It's pretty sly, the acting's not bad and I found the film most remarkable for its restraint and subtlety. I'm not sure I buy the idea that the parasites are a metaphor for Americanization - Cronenburg's concerns are, I think, more personal and abstract than such a reading gives him credit for.
The movie is deliberately paced and the shock/gore factor is relatively low. I found it to be a modest footnote in a career that later bore stranger, richer fruit.
It's pretty sly, the acting's not bad and I found the film most remarkable for its restraint and subtlety. I'm not sure I buy the idea that the parasites are a metaphor for Americanization - Cronenburg's concerns are, I think, more personal and abstract than such a reading gives him credit for.
The movie is deliberately paced and the shock/gore factor is relatively low. I found it to be a modest footnote in a career that later bore stranger, richer fruit.