pk-34
sep 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas2
Clasificación de pk-34
To make a good movie about bull fighting one should first contract a great matador: and Miguel Mateo Miguelin could hardly be braver or more graceful. I saw the movie despite my modern distaste for that ahem sport: and was at least semi-converted. In ancient northern religions, with their male animal gods, the animal god presents himself to the people to be ritually slaughtered. The ritual must be beautiful. The ritual must be risky: potentially fatal for the killing-man-priest as well as for the animal-god. Migueline shows how it's done when it's done right.
Bandits on the Wind, Inagaki. This movie is beautiful, funny, heroic. It's a shame it's not better known. At one point the most immature and pathological bandit (in a bad bunch) is forced to pretend to be a prince. The timing that shows this Japanese's inability to sit cross legged is hysterical. There's a wonderful joke where a bandit weeps to recall how peasants were forced to build a defensive wall, and then slaughtered to keep it secret. "How did you escape?" another bandit wants to know. "Escape nothing: I was one of the guys doing the killing!" The martial arts triangle defense--two katana and a spear--is stellar. The bandits blend cooperation and chaos as it suits them; in the end their Bushido is heroic.