kaworu-3
abr 2000 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Reseñas11
Clasificación de kaworu-3
I can honestly say this about "A.I." - I have never seen any other film that was remotely like it before. The trailers made it look like a "DARYL" rehash - but the film itself is just about anything but that.
Much criticism has been made about Speilburg softening blows that Kubrick would have brutally left intact. I consider that to be a plus, seeing as the final product ended up being one of the most heartwrenchingly sad films ever made to begin with. However, despite many Speilburg touches, this film still has Kubrick written all over it (with the sterile surroundings and the extremely dark tones). Even the final fifteen minutes (which is pure Speilburg) is loaded with Kubrickian overtones.
Haley Joel Osmond gives a performance that is both creepily artificial and painfully sincere, once again proving himself to be the best child actor ever to enter the world of American filmmaking.
Jude Law looks a lot like Alex from "Clockwork Orange" (take away the eyebrow, and they would look almost exactly alike), but the similarities end there. He is creepily artificial as well, yet gets to show a few moments of artificial humanity that hit the nail on the head.
If I were to make a complaint about this movie, it would be the fact that it has more than one ending. But that's a minor quibble. "A.I." is a science fiction masterpiece that raises more questions than it answers - guaranteed to frustrate many viewers, yet at the same time likely to remembered as one of the most intelligent and provocative films ever made. It never should have escaped from Hollywood the way it did - and I am overjoyed to see it turned out the way that it did.
I gave it a 10 out of 10 - despite its flaws (and there are very few), this is a real classic.
Much criticism has been made about Speilburg softening blows that Kubrick would have brutally left intact. I consider that to be a plus, seeing as the final product ended up being one of the most heartwrenchingly sad films ever made to begin with. However, despite many Speilburg touches, this film still has Kubrick written all over it (with the sterile surroundings and the extremely dark tones). Even the final fifteen minutes (which is pure Speilburg) is loaded with Kubrickian overtones.
Haley Joel Osmond gives a performance that is both creepily artificial and painfully sincere, once again proving himself to be the best child actor ever to enter the world of American filmmaking.
Jude Law looks a lot like Alex from "Clockwork Orange" (take away the eyebrow, and they would look almost exactly alike), but the similarities end there. He is creepily artificial as well, yet gets to show a few moments of artificial humanity that hit the nail on the head.
If I were to make a complaint about this movie, it would be the fact that it has more than one ending. But that's a minor quibble. "A.I." is a science fiction masterpiece that raises more questions than it answers - guaranteed to frustrate many viewers, yet at the same time likely to remembered as one of the most intelligent and provocative films ever made. It never should have escaped from Hollywood the way it did - and I am overjoyed to see it turned out the way that it did.
I gave it a 10 out of 10 - despite its flaws (and there are very few), this is a real classic.
When I walked into this movie, I did not know what to expect. I have played some "Tomb Raider 2" before, but I gave up trying to figure out the controls for that game after a couple of hours and have never touched a "Tomb Raider" product since. In fact, I only saw this movie because a friend of mine wanted to see it.
As far as video-game based movies go, you can't expect much along the lines of character development and plot. And you won't get much along those lines in "Tomb Raider". The story is merely a clothesline to hang one spectacular action sequence after another onto, and as thus, serves its purpose efficiently.
What you will get is lots of Lara Croft fan-service (suggestive camera angles, pans, and the like), and the aforementioned spectacular action sequences.
It throws in some good humor and does not dare to try to take itself seriously for one moment - and that it part of what makes it all work as well as it does. It also has an attractive cast that gives mostly serviceable performances.
What you have here is a thoroughly entertaining picture that delivers the goods that it promises without pretending to be anything more than it is. It promises action, and it promises Lara Croft fan service, and that is exactly what the viewer gets in very large amounts, without any pretense. True, it's no classic, and it is destined to be forgotten two years from now - but it does its job well.
8 out of 10
As far as video-game based movies go, you can't expect much along the lines of character development and plot. And you won't get much along those lines in "Tomb Raider". The story is merely a clothesline to hang one spectacular action sequence after another onto, and as thus, serves its purpose efficiently.
What you will get is lots of Lara Croft fan-service (suggestive camera angles, pans, and the like), and the aforementioned spectacular action sequences.
It throws in some good humor and does not dare to try to take itself seriously for one moment - and that it part of what makes it all work as well as it does. It also has an attractive cast that gives mostly serviceable performances.
What you have here is a thoroughly entertaining picture that delivers the goods that it promises without pretending to be anything more than it is. It promises action, and it promises Lara Croft fan service, and that is exactly what the viewer gets in very large amounts, without any pretense. True, it's no classic, and it is destined to be forgotten two years from now - but it does its job well.
8 out of 10
"Double Suicide" is a bunraku puppet performance at its core, with perhaps the only difference being that actual humans play the roles of the puppets.
The puppet masters, their faces covered with thin black silk masks, move around props, rapidly change the minimal sets, never interfering with the plot or the characters, yet moving them forward and cooperating with them in a way that is not at all distracting.
The puppets themselves are finely crafted, and the characters that they play present a depth of humanity that is rare in all forms of staged entertainment (whether it be a movie, a play, or the like). Being puppets, however, the viewer is left feeling detached from them, even if there is a sense of humanity present that one can grasp. Oddly enough, that is a good thing in this case - it increases the sense of how the only thing that one could do when the tragic events unfold is to watch.
This is not a film for all tastes, obviously. But the same statement can apply to the bunraku puppet play that this movie is based on. This performance is pulled off with perfection, and I highly recommend it.
10 out of 10
The puppet masters, their faces covered with thin black silk masks, move around props, rapidly change the minimal sets, never interfering with the plot or the characters, yet moving them forward and cooperating with them in a way that is not at all distracting.
The puppets themselves are finely crafted, and the characters that they play present a depth of humanity that is rare in all forms of staged entertainment (whether it be a movie, a play, or the like). Being puppets, however, the viewer is left feeling detached from them, even if there is a sense of humanity present that one can grasp. Oddly enough, that is a good thing in this case - it increases the sense of how the only thing that one could do when the tragic events unfold is to watch.
This is not a film for all tastes, obviously. But the same statement can apply to the bunraku puppet play that this movie is based on. This performance is pulled off with perfection, and I highly recommend it.
10 out of 10