GormanBechard
mar 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos8
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas21
Clasificación de GormanBechard
Way too long. Needed to be 90 minutes tops. Or not made at all because after almost 4 hours you still don't know what happened to the damn paintings. A waste of time.
This documentary on Billie Holiday, whom I consider to be the greatest singer of all time, is so badly constructed, it made me angry. I almost don't know where to begin. From the hideous colorization to the device of using the intended author of her bio to tell the story, to the focus on her addictions and bad choices in men OVER her music, this documentary fails on every account. It literally almost sluts shames her for her choices. And again, NO ONE CARES about the intended biographer. This was supposed to be Billie's story. Beyond all that, there are subtitles when we barely need them, and none when we so do. This is even worse than Lady Sings The Blues. Will someone please do this amazing talent justice! I make music documentaries. And I love the good ones. This might be the worst music doc I have ever seen. ARGH!!!
I searched out Karen Dalton while reading Bob Dylan's autobiography, and his comment that she could sing like Billie Holiday and play guitar like Jimmy Reed. I became obsessed with this voice that sounded as if it could crack and fall apart from pain in one moment, and then soar the next.
But try finding video of Dalton.
Thankfully filmmakers Peete and Yapkowitz do that for us. What we have here is a truly stunning documentary that somehow, with no Karen Dalton to interview, gives us a very complete portrait of a complex and brilliant artist.
Using singer Angel Olsen to bring Dalton's poetry to life is a stroke of genius. The people in her life who tell her story, are honest and caring. The look of the film, as if it were found in some old box that had been sitting on a closet shelf for 5 decades perfectly matches the tone, the subject. And the live performances of Dalton that they have managed to find will take your breath away.
As someone who has made 5 (going on 6) music documentaries, I tend to be very hard on them. But IN MY OWN TIME was very easy to fall in love with. Like it's subject's voice, it is damn near perfect.
(Saw this at DOC NYC 2020 film festival.)
But try finding video of Dalton.
Thankfully filmmakers Peete and Yapkowitz do that for us. What we have here is a truly stunning documentary that somehow, with no Karen Dalton to interview, gives us a very complete portrait of a complex and brilliant artist.
Using singer Angel Olsen to bring Dalton's poetry to life is a stroke of genius. The people in her life who tell her story, are honest and caring. The look of the film, as if it were found in some old box that had been sitting on a closet shelf for 5 decades perfectly matches the tone, the subject. And the live performances of Dalton that they have managed to find will take your breath away.
As someone who has made 5 (going on 6) music documentaries, I tend to be very hard on them. But IN MY OWN TIME was very easy to fall in love with. Like it's subject's voice, it is damn near perfect.
(Saw this at DOC NYC 2020 film festival.)