per8
nov 2000 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos6
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas16
Clasificación de per8
I guess my main beef with "Rubber Johnny" is that it is a freak show: a weird crippled child dances for the audience. The style/design explored territory covered during the goth/ industrial scene since the 90's. The filmmaker is obviously talented - but I didn't find the film either shocking or entertaining, just obnoxious. The whole marketing and experience of the film had the subtext: "There's this weird pale mutant in the basement. Isn't that cool??" I guess the concept of a freak show put me off. All of that said, Cunningham is a genuine talent - and apparently has good marketers behind him. So, hope to hear and see more from him in the future.
How can people say that this was a good action film? For one thing, the lead, Ice Cube, is such a wuss! He constantly cowered before the bad guys and seemed to be in utter fear throughout the whole film. It would have been nice if he just fought back instead. Also, the Neil Diamond inspired soundtrack put me to sleep. Cube is scrawny, he obviously needs to spend more time in the gym - I don't think he was in very good shape before starting this film. Also, the moves he did (during what little action there was) seemed clumsy and things that my 85-year old grandma could do.
The overly-intellectual dialog was over the top. C'mon, this is an action film, not "my dinner with Andre". There was too much exploration of the pathos of eastern Europe, long-winded speeches about world peace and epicurean phenomonalism - I mean, who cares? I may as well just go watch Mulholland Drive with a bag over my head so that I won't be able to figure out what's going on.
Also, I think they over-did the homoerotic subtext - especially with Ice Cube and Williem Dafoe - I don't have anything against that - but I wonder if mainstream audiences are ready for it.
The film could have used a greater variety of gear - instead of just the usual car chases. For instance, there was not ONE SCENE that used a jet ski, when one could have been obviously used during a certain part of the movie that I will not reveal here because then that would give away the ending to the movie and I don't want to do that because although it didn't have enough action I don't want to ruin it for anyone else that wants to see it.
The overly-intellectual dialog was over the top. C'mon, this is an action film, not "my dinner with Andre". There was too much exploration of the pathos of eastern Europe, long-winded speeches about world peace and epicurean phenomonalism - I mean, who cares? I may as well just go watch Mulholland Drive with a bag over my head so that I won't be able to figure out what's going on.
Also, I think they over-did the homoerotic subtext - especially with Ice Cube and Williem Dafoe - I don't have anything against that - but I wonder if mainstream audiences are ready for it.
The film could have used a greater variety of gear - instead of just the usual car chases. For instance, there was not ONE SCENE that used a jet ski, when one could have been obviously used during a certain part of the movie that I will not reveal here because then that would give away the ending to the movie and I don't want to do that because although it didn't have enough action I don't want to ruin it for anyone else that wants to see it.