Dos mujeres que crecieron juntas descubren que se han distanciado cuando se retiran juntas a una casa en el lago.Dos mujeres que crecieron juntas descubren que se han distanciado cuando se retiran juntas a una casa en el lago.Dos mujeres que crecieron juntas descubren que se han distanciado cuando se retiran juntas a una casa en el lago.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 3 nominaciones en total
- Warlock
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- Party Guest #1
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- Party Guest #4
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- Party Guest #6
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- Party Guest #7
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- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It paigns me to rag on a film that is trying to be ambitious in the psychological/interior sense. It's not that the world lacks independent film dramas dealing with loss and mental instability, but it's always good to have well made ones that let the audience in to the character's pain and, perhaps, see that person grow. But the core problem with the movie is that it doesn't give enough context for the main character's misery. In a sense the format reminded me of Lars von Trier's Antichrist, only without the hilarious fox or over-the-top antics involving castration: someone loses a loved one, they go off to the middle of the woods with a close friend, and then the bile spews out. And Queen of the Earth is nothing but an experience where characters are loaded with bile to one another scene after scene.
Of course a story dealing with grief and loss and mental fractions should be taking itself seriously, of course... but maybe it should also allow a tone that doesn't hit the same ugly sensations. Even in the flashbacks Moss and Waterston's characters are sniping at one another in passive-aggressive or just aggressive ways, and even the (very) few semi-happy moments are tinged with the flavor of dread. After an opening shot where we see Moss crying and in hysterics - and to be fair, it's an amazingly acted and shot scene - it never really loses that tone, and yet we also never get a sense of WHERE and WHO this character was at before all of this; it's all told to us (that she had a father who was reviled, that she is reviled as a "spoiled brat", that she should get over herself, her art, etc).
Part of the approach may be due to the low-budget - Perry didn't quite get started with the 'mumblecore' filmmakers, but he's in the same ballpark - and yet there's little actual creativity, or any sense of empathy that the audience can have in the writing, at least from my perspective. Part of the problem too is due to the style, where Perry gets composer Keegan DeWitt to hit the same ominous, horror-movie notes, and it's draining. In scene after scene it's as though we are locked in with one woman, Catherine, who is a head-case and is becoming undone further and further along (the same tone is basically, 'why can't they leave me alone') and she is not that interesting as a miserable character, and Virginia is even worse. There's no arc with either of these people, no sense of growth whether it's up or down (well, I guess Catherine DOES get worse, but you know what I mean, the trajectory is muddled and shallow); that may be part of the point, but it doesn't work in this case.
I can see why the film was made, to bring a full atmospheric experience through eerie-grainy 16mm cinematography, and to highlight how, well I guess, society people are people too. But aside from Moss's performance, as she really is trying and going for this full- throttle (she produced too), Queen of the Earth comes off as a miserable, empty time.
The visit, which should have been a calm, nurturing respite from her personal tragedies turns into a gut wrenching week. Her friend lacks the patience and empathy to help her heal. Instead she pushes her further into depression and decompensation.
Elizabeth Moss is brilliant with this long, slow disintegration. I could compare her performance to Elizabeth Taylor in 'Who's Afraid of Virginia Woolf' or Nicole Kidman as Virginia Woolf.
Katherine Waterston, daughter of the beloved Law and Order actor San Waterston, plays a hard edged, unkind, and self centered rich girl. She is unable to help her friend with debilitating depression. In fact she worsens the situation with her criticism, and harsh comments. She is a slender brunette with Ali McGraw looks. Look for more good work from this actress.
The movie moves slow as a glacier. The visual elements are very simple. The lovely house, the lake, and the faces of the two actresses are the main elements. Extremely important is the music.
The musical score establishes the mood, the dread, the tension, the intense unease which characterizes this film. A woman walking down a flight of steps turns into a tense and anxious scene because of the musical score. Another writer/director would have used a voice over to communicate with the audience. Director Alex Ross Perry uses music.
I believe this is only the 4th film by Alex Perry. I think it is a very ambitious undertaking. It is similar in pace and mood to the Lars von Trier film Melancholia. I look forward to more films from Alex Ross Perry.
This is not for every one. It is a very slow and unhappy movie. The characters are not likable. The men are horrid. It is a study of two women and a friendship which is no longer viable. It is a study of a woman who loses her grip on reality and has no one to help her. It is an excellent film with a brilliant performance worthy of an Oscar by Elizabeth Moss.
A psychological thriller flick written and directed by indie filmmaker, and actor, Alex Ross Perry. It tells the story of two childhood friends, that reunite at a lake house, as adult women, and find out they no longer feel close. The movie stars Elisabeth Moss, Katherine Waterston and Patrick Fugit. Perry and Moss were also producers on the film, along with Adam Piotrowicz and the very prolific Joe Swanberg. The movie is very impressive, stylistically speaking, but it's also a little bit of a mess, from a dramatic storytelling point of view.
Catherine (Moss) and Virginia (Waterston) are two women, who were very close while growing up. They've continued to reunite, every summer, at a vacation lake house; owned by Virginia's family. Over the past few years, they've started to grow apart; and became very bitter towards each other. Their recent relations with men, have really driven the two to a breaking point; as Catherine also starts to lose her sanity.
The movie is very beautifully shot, and the music is haunting and very memorable; with a classic (and very campy) B movie feel to it. The film is played out like a thriller, but it's actually more of a dramatic character study; and it's an excellent examination of female relationships (and mental illness) as well. Moss and Waterston are both really good in the film, and Perry's direction is excellent. It's not a perfect film, but it is a memorable one.
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As for the portrayal of such, Elisabeth Moss does convincingly deliver her character with a unique sense of familiarity.
The problem I had with this film is not the story itself, which probes into the frailties of the human condition within this rarefied social ecology, but rather with the pathetic nature of all of these nauseatingly self absorbed characters, none of whom I would ever have anything in common with, even under the most demanding of required social circumstances.
Call me a "salt of the earth" servile dolt if so inclined, if such makes you feel more self important, but what this film did do is remind me why I have specifically avoided spending any amount of time or effort becoming enmeshed in the dramatic pathologies of the supposedly social elite, which this film does deliver a compelling depiction of.
This general environment I'm quite familiar with, having had my more than my share of exposure into this sort of universe . . . and opting out of it completely.
As for the film itself as an art piece, it is an interesting voyage into the disintegrating psyche of fragile, needy people.
Deciphering exactly where the boundaries were between the actual realities of the moment, and the collage of flashbacks and self induced fantasies which would jaggedly pop in and out of the story thread was a bit exhausting at times, but overall this was a brave attempt to deliver a multi-threaded tapestry of intersecting plots which clearly would have been easily rendered in written form, but compressing such into a film would be much more demanding.
Elisabeth Moss and Katherine Waterston star as Catherine and Virginia respectively. Catherine has come up to her best friend Virginia's family vacation home to get some rest and relaxation. Her emotional state is quite unstable, after her father, a renowned artist committed suicide, and her partner has told her he's having an affair with another woman.
If these two women are best friends, I wouldn't like to meet their enemies, because Catherine and Virginia are constantly bickering at their best moments and being cruel and hostile to each other at their worst. They're joined from time to time by Virginia's neighbor Rich (Patrick Fugit), who's in a relationship of some sorts with Virginia, and who seems to delight in "adding fuel to the fire" whenever he can to provoke the unstable Catherine.
All in all, I imagine the writer and director here Alex Ross Perry, was aiming for a deep meaningful film, but all I found it to be was a tedious and irritating waste of time.
¿Sabías que…?
- TriviaThroughout the film Virginia (Katherine Waterston) is seen reading books by Ike Zimmerman. This is the fictional author played by Jonathan Pryce in director/writer Alex Ross Perry's previous film Listen Up Philip.
- Citas
Catherine: [to Rich] You fucking animal. You unrepentant piece of shit. You click your tongue and you revel in the affairs of others. You are worthless. You don't know anything about me. You show up to fuck my best friend, and you pry into the lives of others to conceal how worthless and boring your own life is. I don't deserve this. I just want to be left alone. I want to be left alone with the few people who are left in this world who are decent.
[Catherine glances briefly at Ginny before reverting back to Rich]
Catherine: You are weak and greedy and selfish, and you are the root of every problem. You are why people betray one another. You are why there is nowhere safe or happy anymore. You are why depression exists. You are why there is no escape from indecency and gossip and lies. You, Rich, you are why my father had to die. Because he couldn't live in a world like *this.*
- ConexionesReferenced in Film Junk Podcast: Episode 544: Don Verdean and The Ridiculous 6 (2015)
Selecciones populares
- How long is Queen of Earth?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Queen of Earth
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 200,000 (estimado)
- Total en EE. UU. y Canadá
- USD 91,218
- Fin de semana de estreno en EE. UU. y Canadá
- USD 11,360
- 30 ago 2015
- Total a nivel mundial
- USD 95,183
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.78 : 1