L'ultimo sole della notte

I believe that it is unfair to shoot at zero on such a product, which on the whole I find more than excellent, even the great films of billion-dollar productions are not free from defects. Like everything in life it is also a matter of taste, from my decades of experience in the field of cinema and TV I still find it an excellent product, which comes from a low budget and from the passion of some friends who together have given us something unique and unrepeatable. Those who think the opposite in my opinion not only have no heart but do not understand anything about life and cinema in general. I repeat, considering the budget and the means of small production, it remains a great product for me. Decent phorography, plot that takes you and involves you, unique and above all NATURAL settings !! go and review some history of cinema and redo the directing school, you who speak badly about it ... and thank you already that I was exposed in a review because some comments are not even worth repeating. For me a great little milestone of Italian cinema, which, apart from a few small exceptions like this one, unfortunately enjoys too poor a panorama. Glory to these guys ... keep it up!

Not the conventional story. The director did an incredible work recreating a world where there's no more place for human values and feeling. Slow and deeply touching, beautiful compositions that reflect the inner struggle of the characters living in this grey limbo of meaningless lifes

A very well made film that was a pleasure to watch. Excellent acting, direction and cinematography.

A film made by people who love cinema and who make their passion manifest in every frame. The editing succeeds in making linear a story that at first glance is very complex; the lead actor brings up all the pain that afflicts his character, literally "shut down" by an imposed routine that he uses as a mean to survive; the director makes the most of nature, combining it with a wild and decadent urban landscape (the outskirts of Catanzaro), the perfect theater of a post-apocalyptic science fiction entirely based on human beings and on the way in which they are afflicted by what surrounds them. Also noteworthy is the soundtrack, full of electronic sounds, perfect for the atmosphere of the film.

Matteo Scarfò manages to translate James Ballard's universe into images thanks to refined scenographies, an excellent cast of actors and a direction that delves into the psyche of characters. One of the few examples of Italian underground sci-fi cinema.