Un monstruo en el camino

As children, we often have irrational fears of things we have not being given a proper introduction to - We are told numerous stories, some still ignoring the lingering question we harbor deep within - Our Monsters Real? - Or an allegory of our very existence? This idea is effectively used in recent films such as, 'The Babadook', 'It Follows', 'The Witch' and 'Under the Shadow'. Director Bryan Bertino ('The Strangers') shares a similar notion of this with 'The Monster'.

Kathy (Zoe Kazan) a divorced alcoholic and inexperienced mother is taking her young and mature of age daughter, Lizzy (Ella Ballentine), to permanently relocate with Lizzy's father. While driving at night through a remote, rain-lashed forest, Kathy crashes into a wolf, which wrecks their car leaving them stranded for help - Waiting for a tow truck and ambulance. From here on, questions are raised - Where did the wolf come from? What was it running from? Where'd it get those deep cuts on its body? Or where did the body disappear too? Strangely these questions are not justifiably asked by Kathy, but by Lizzy.

The only voice of reason!

Ella Ballentine is the standout here - reminiscent of a young Reese Witherspoon. Inquisitive, timid, fearful and courageously carrying the weight of 'The Monster', as she has spent much of her youth taking care of herself - and her mother - Through flashbacks provided. One in particular truly showing her acting chops. Zoe Kazan also great as Kathy tries to maintain her sobriety while navigating and understanding the needs of her daughter - Yes an overused device in Hollywood - But effective still none the less.

Scott Speedman shows us halfway through the movie with little to say or do, perhaps a favor to Bertino, whom he directed in 'The Strangers'.

Cinematographer Julie Kirkwood offers very little to appreciate here - With Bertino not fully utilizing her until the third act - With a beautiful shot of the enclosed woods. The monster itself plays a minor role - As the full look of it seems rather cheap.

Overall 'The Monster' may not hold up well with most allegory horror films, but it will stand on its own merit for Ella Ballentine - As she comes face to face with the monster - Or are understanding of what it means to let go and grow up - Afterall monsters are only what we make of them.

Brian Betinos 2008 flick 'The Strangers' was as simple as a film can get, and was well seasoned with some simple character backstory that added to the sense of tragedy and added to the tension of the film. In this film the heavy handed addiction sublot diffuses the tension of the film, and makes it difficult to empathise with the relationship at the core of the film. Its well shot, well acted but I felt myself getting detached from the action early on.

I respect where Bryan Bertino was trying to go with this film, but he falls short. While he does gets a decent start on character development that mostly works despite some overwrought writing and acting, the static set piece and drawn out end battle bleed away any real tension. Flashbacks are overused and ultimately come too late and the well shot and creepy final locations overstay their welcome. Few films are able to pull off this Babadook-esque having your cake and eating it too morality monster mash, and despite a good college try, the Monster fails along with all the others.

Battling our own fears and weaknesses could be an alternative title to this film. At first the mother seems to be an irresponsible, immature young parent. The child has learned to take care of herself. The acting is extraordinary. The actors excelled in making the audience believe that they were living the story rather than pretending. No matter what the problems in their relationship, as they are depicted through the flashbacks, the bond between mother and her child is and remains till the end very strong. As strong are the mother's addictions, which affect their relationship and their lives. I won't disclose in what way. For me it was an allegory and, in that purpose the director - writer delivered. I recommend it.

They got stuck somewhere between the saint maud symbolic style and "screw it let's just make a monster movie" because I thought for a second they were going to play on the "addiction is a monster" thing but then where would a monster killing a tow truck driver fit in in that so I 86d trying to interpret it in that way and thought to myself "I'll just enjoy a monster movie" and that worked when all else failed so I gave it 6 stars... with that being said dumb decisions are never good... especially when in a life or death situation where you actually have a minute to think about what your going to do instead of just having to do it... but it executed edge of your seat nevertheless.... if you go into watching with more of a monster movie expectation then it's going to suck for you... enjoy yourself watch a horror movie and stop whining...