One and Two

Probably One And Two would be consigned to obscurity save for the fact that one of the four principal cast member Timothee Chalamet has gone on to stardom in the movie big leagues. Chalamet and Kiernan Shipka play a brother and sister who live on a remote farm and have some unusual abilities, abilities inherited from their mother Elizabeth Reaser who is subject to seizures and not long for the world.

His own kids scare the pants off their father Grant Bowler who punishes them every time they use their powers to transport themselves. The idea was clearly taken from the British science fiction series The Tomorrow People where kids could just transport themselves anywhere on a whim.

An interesting concept but the film moves so slowly it becomes unbearably dull. In the end I'm not sure what the point was.

There are plenty of similar themes, but 'Jumper' will be the first anyone can remember. Its not a time travel theme, but a space travel film. Don't assume the outer space, very much in our Earth's atmosphere space travel like a supernatural.

This is a slow fantasy-drama about two teen siblings who are living in an isolated location and their inherited ability to cheat space within their sight. What goes wrong when they just want to play with it, but it's forbidden by their strict father is the rest of the story.

It is a weakest writing for a movie that borrowed an idea from the others. Failed to capitalise and falls into an average list. There is no particular performance to point out, but Kiernan Shipka is who had more screenspace and was decent with her show.

There's nothing much to talk about the movie, the dialogues were very rare and too short. A simple drama, mostly boring for its uninteresting under developed scenes. Surely a watchable movie, but does it worth spending your time? I don't think so, thankfully it was not the worst film I've ever seen.

6/10

This is a slow but very beautiful movie. If you only are in to action then this is nothing for you. But if you like movies that will challenge and dare your mind and if you not are afraid of something more deep than a couple of men punching each other, then this is a film for you.

The film will get you in a state of mind that will begin to think, to wonder. Will this be possible? Can a father be like that? Loving and still so demanding and ... cruel.

And then you realize that it's the way people, mostly men, dictates their women and children to live exactly as they want them to do. It also shows how hard it is to break free from a family bond. Hard even if you don't want to be a part of it, if you do want to go. You can't go, there is too much holding you back. Fear, love, obedience even respect holds you back from leaving although you don't want to be there.

You know what you have but you don't know what you will get.

For me the film was not about their ability to "jump". It was about the fear of something new, something you don't understand, the will to have everything as it always have been. Their ability was just the unknown in the world. The film for me was also about breaking free and leaving old habits behind, leaving (killing) the tyranny, the dictatorship and seeking the freedom.

I liked the film and I will remember it a long time - maybe see it again in a month or two.

There really is nothing worth investing this movies length to endure for what you get. It was a happy enough ending but the journey there was pointless. It's basically Jumper only they truly do nothing with said abilities. Movie is composed well enough but again there's no real point for any of it. The only positive is it ending with Outro by M83, but even then I wouldn't give this a +1 even (or 6/10). It isn't good it isn't bad, it's just a neutral 5, flat and entirely nothing. If my only purpose in life is to leave some sometimes helpful reviews and sway others from wasting more valuable time then I can live with that.

So it's okay. It's fine. It's a movie that was made, but not made well. There's no passion, no story, no style, nothing. It's a movie that proves this director can put a movie together, outside of Rich Hill. Autumn Durald does a great job with the cinematography, despite there clearly being more budgetary constraints than Palo Alto, most notably the oval bokeh and the obvious digital grain, from the upped-ISO.

The movie is bearable, it's watchable, but not interesting. The dialogue, however, is laughable, and the Tree of Life internal monologues are baffling. This movie is practically a series of events, albeit beautiful to look at and competently put together, with no real satisfying conclusion nor moral.

This movie doesn't deserve the critical panning it has from RottenTomatoes, it's one of the better movies of the year, which I guess isn't saying much.

Kiernan Shipka, and everyone really, look bored and brooding. They have nothing to work with, and when they do, it's executed laughably and obnoxiously. I have no doubt Shipka has acting chops, but this doesn't prove it, she mopes around with a vaguely confused face the whole movie.

Timothee Chalamet is the best actor in the movie, and he barely has anything to show, possibly because no one has any characterization besides "quiet, distant, scared." I hope he stops being type-casted as Tom Cooper, because even when he's given the opportunity to act in these movies, it's quickly cut short (in this, his screaming and clawing are drowned out by a glaring score, muting any actual skill required to show emotion or character struggle).

Hopefully Jeff Nichols' Midnight Special shows this movie up, I'm pretty disappointed. (If at any point you think I'm blindly "hating" on this movie, the very fact that I was even looking forward to a movie that wasn't advertised or talked about shows my initial interest.)